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Dante Remy | “Fetishizing liberates sexual desire.” – Jacques Lacan Fetishism can be a powerful means for exploring and expressing human desire. For many, it is a means for understanding oneself and coping with the storm and stress of life. Rather than negative or shameful, the infinite variations and continua of fetishism are a valid and necessary aspect of human sexuality and individual expression. This is a fundamental difference between expression and repression: the former liberates, while the latter deprecates. Let us a consider the potential liberation through fetish, BDSM, and shibari. Fetishism is a complex and multifaceted phenomenon that has been studied by scholars from a variety of fields, including psychology, sociology, and cultural studies. At its core, fetishism involves a tendency to become sexually aroused by non-human objects, body parts, or forms of practice that are not typically considered sexual in isolation. Consider a line of thick, red, rope on the shelf in a hardware store. While many envision utilitarian uses of the rope in domestic life, others may additionally see its potential in shibari, the use of tying and binding in sexual expression and intimacy. This divergent use and preference for rope is a legitimate means to explore and understand oneself consensually with another. However, fetishism remains widely stigmatized and misunderstood by society at large. Deep and intense intimacy is often a dimension of fetish practices. According to psychoanalytic theorists such as Sigmund Freud and Jacques Lacan, fetishism is a way for the individual to cope with feelings of power or powerlessness, desire and intimacy, an overly structured or unstructured life, and to gain a foothold on stress, anxiety or inadequacy. In many ways, acting on fetishism provides relief and satisfaction that cannot be achieved through mainstream practices. For Freud, the fetish object serves as a substitute for the unattainable desire that the individual is striving for, while for Lacan, the fetish object serves as a symbolic substitute for sexuality that the individual feels they lack. In this way, the fetish becomes a way for the individual to confront the reality of their desire, their mind and body, and their sexuality. In doing so, profound intimacy is experienced. For centuries, artists and writers have explored fetishism as a theme in their work, seeking to challenge traditional norms and boundaries around sexuality and desire. Such creativity is becoming more mainstream, particularly in the past decade, with advances in technology and information sharing. One such artist is Alvaro Muñoz, known by his artist name Coax . Remember that rope, sitting on the shelf in the hardware store? In Coax’s illustrated story “Under Pressure,” shibari is used a means to gain relief and escape from the frustrations of the work day. In the story, a career woman gives herself over to the binding and tying by her partner, after a particularly stressful day at the office. This has clearly happened before, and the antidote has been found in a consensual dynamic involving rope. This story, and many others, can be read in new comic book “ The Collar and Other Fetish Stories ” by Coax. The book’ uses comic art to push societal norms about consensual relationships and the power of fetishism to explore new depths of personal meaning and connection. It explores the power and psychology of fetish themes, the use of consensual bondage and shibari, and other fetish means in these dynamics and explorations. Through the characters and stories in “ The Collar and Other Fetish Stories ,” Coax reflects the theories of fetishism and the complex interplay between desire, society, and identity. Using a lighthearted and playful tone, Coax depicts characters who explore and practice fetishism as a means of coping with their own desires, while at the same time, confronting the reality of those desires and the ways in which they are perceived by others. One of the important themes that emerges from Coax’s work is the idea that fetishism can be a way of pushing against societal norms and expectations. Through their exploration of fetish objects and practices, the characters in Coax’s comics are challenging ideas of what is considered “normal” or “acceptable” in terms of sexuality and desire. Coax’s work helps to break down barriers and make taboo subject matter more accessible to a wider audience. Coax’s use of comic art as a medium is especially effective in depicting the psychological and emotional landscape of intimate relationships, which is a common theme in his work. The characters in his comics are often quirky, idiosyncratic, and multi-dimensional, making it easier for readers to connect with them and see themselves reflected in their experiences. Additionally, the use of subtle humor and exploration helps to make taboo subjects more accessible to readers, allowing them to engage with challenging subject matter in a way that is both thoughtful and entertaining. His stories often depict characters who exist within the mainstream of societal norms, and who are exploring their own sexuality and identity in unconventional ways considered taboo, including BDSM, gender identity, power dynamics, eroticism, fetishism, and kink culture. Through his work, Coax challenges traditional assumptions about relationships, sexuality, and gender, and encourages readers to question their own beliefs and predispositions. His comics are thought-provoking and thoughtfully crafted, and offer a unique perspective on topics that are often overlooked or stigmatized. In addition to his exploration of taboo topics, Coax’s work also delves into the psychological and emotional landscape of intimate relationships. His stories often focus on the emotional connection between characters, and explore the complex dynamics that exist within intimate relationships. In doing so, Coax introduces difficult and controversial subjects in his work and offers a unique perspective on the human experience. Fetishism remains a complex and widely misunderstood phenomenon, but artists and writers like Coax are helping to bring greater understanding and acceptance to the subject. Through his use of comic art, Coax is able to explore complex and taboo subjects in an innovative and accessible way, encouraging readers to engage with difficult topics in a thoughtful and reflective manner. Ultimately, Coax’s work highlights the importance of continuing the conversation around fetishism and its place in society. ©️2024 Dante Remy Learn more about the words and art of Coax , and the comic book The Collar and Other Fetish Stories at Erosetti Press .

Dante Remy | Beatrix Potter, a luminary in the realms of literature, illustration, and natural science, left an indelible legacy through her timeless tale, “The Tale of Peter Rabbit.” Born into an affluent English family in 1866, Potter’s upbringing and profound affinity for nature profoundly influenced her multifaceted body of work. “The Tale of Peter Rabbit,” a magnum opus published in 1902 alongside 22 other enchanting tales, serves as a poignant reflection of Potter’s narrative prowess and her intrinsic connection to the natural world. The story unfolds in a sylvan setting where four rabbit siblings – Flopsy, Mopsy, Cottontail, and the irrepressible Peter – reside with their mother beneath the shelter of a colossal fir tree. The tale commences with a maternal admonition cautioning the young rabbits against trespassing into Mr. McGregor’s garden, recounting the dire fate of their father, who succumbed to being baked into a pie by Mrs. McGregor. At the heart of the narrative lies Peter’s temerarious disposition, described as “very naughty,” as he defiantly transgresses his mother’s explicit instructions and ventures into the forbidden garden. The ensuing pursuit by Mr. McGregor symbolizes the perennial struggle between the human and natural worlds. Peter’s journey through the garden becomes an allegory for shedding his anthropomorphic clothing – a distinctive blue jacket adorned with brass buttons and shoes – a metaphorical quest to rediscover and reclaim his innate rabbit nature. Throughout Peter’s escapade, the narrative introduces various denizens of the natural world, each emblematic of the delicate balance between the wild and domesticated realms. A mouse, sparrows, and a cat feature as distant observers, accentuating the inherent boundaries between species. Peter’s interaction with the white cat at the pond underscores the acknowledgment of these interspecies distinctions. The narrative artfully captures the nuances of animal behavior, portraying a world where rabbits embody the role of prey, while humans assume the mantle of predators. As Peter narrowly eludes capture and returns home, the story transitions to the comforting embrace of the rabbit hole, a symbol of familiarity and sanctuary. The juxtaposition between Peter’s discomfort in a water-filled can and the soft sand lining the rabbit hole underscores the intrinsic connection between animals and their natural habitats. Potter’s life experiences, marked by her unorthodox approach to education and her fervent exploration of nature, are intricately interwoven into the fabric of her tales. Her commitment to illustrating and conserving the natural world manifests in the meticulous descriptions of flora and fauna that enrich her narratives. Furthermore, her entrepreneurial spirit, evident in the creation of story-related dolls and ventures into self-publishing, underscores a resolute dedication to sharing her passions with a broader audience. “The Tale of Peter Rabbit” transcends the realm of mere children’s literature; it serves as a philosophical treatise by urging readers to embrace their true selves and navigate the complexities of societal expectations versus the labels of identity, Potter imparts a profound lesson. In a world quick to label nonconformity as “naughty,” the tale suggests that authenticity in one's true self is the key to a gratifying existence. Upon revisiting the Tale of Peter Rabbit, readers are beckoned to introspect and contemplate their own authentic selves. Potter’s enduring legacy encourages individuals to delve into their passions, celebrate their uniqueness, and, much like Peter, find solace in being genuinely true to themselves. The enduring allure of Beatrix Potter’s tales lies in their ability to resonate across generations, fostering an enduring connection between humanity and the natural world. ©️ 2024 Dante Remy | Read more at danteremy.com

Dante Remy | The cherry blossom, or sakura, is rich with symbolism that goes beyond the beauty of its petals. Within the cultural tapestry of Japan, it stands as a poignant emblem of life's fleeting moments, a gentle reminder of the brief interludes of beauty and the inescapable cycle of birth and demise. This intricate symbolism is beautifully captured and explored in the artwork of contemporary artist Reina Canalla through her piece titled "Sakura." This illustration weaves together the delicate beauty of the cherry blossom with themes of sensuality, the transient nature of existence, and a nuanced portrayal of freedom within bounds. Celebrating Fleeting Beauty At the core of Canalla's "Sakura" is an ode to the fleeting beauty that characterizes our lives. The cherry blossom, with its short-lived bloom, serves as a powerful metaphor for the transient nature of beauty and existence. Canalla captures this momentary splendor with exquisite detail, portraying the blossoms at their peak, a snapshot in time where beauty is both luminous and transient. This artistic choice encourages viewers to ponder the brief nature of life and beauty, promoting a profound appreciation for the present moment. The Dance of Sensuality and Renewal Beyond capturing the fleeting moments of beauty, Canalla delves into the inherent sensuality of the sakura and its role in the cycle of renewal. The blossoms are rendered in soft, alluring colors, their petals delicate and alive, symbolizing a deep, sensual bond with the natural world. This sensuality is intertwined with the cycle of life, where the end of one phase enriches the beginning of the next. The descent of the petals, marking the close of one season, also signifies the hope of renewal, embodying the sensual interplay between endings and new beginnings. The Complexity of Anne-Marie’s Suspension Adding depth to "Sakura" is the portrayal of Anne-Marie, delicately suspended among the sakura branches. This element introduces a complex interplay between the themes of constraint and liberation. The ropes that bind Anne-Marie, instead of merely serving as shackles, surprisingly act as agents of freedom. They anchor her to the moment, enabling a full immersion in the surrounding ephemeral beauty and sensuality. This paradox reflects the essence of the sakura—its fleeting splendor a call to cherish the now, in the face of life's relentless cycles. Embracing Transience Through the figure of Anne-Marie amidst the cherry blossoms, Canalla explores the embracing of transience. Suspended, Anne-Marie becomes a metaphor for yielding to the transient beauty of existence, a conscious choice to revel in the beauty of fleeting moments. This surrender is not about defeat but a celebration of life’s transient episodes, a sensuous pleasure found in the here and now. Anne-Marie, akin to the sakura, epitomizes the delicate beauty of life's brief moments, her experience mirroring the intertwined joy and melancholy of existence. Reina Canalla's "Sakura" is a meditation on the symbolism of the cherry blossom, interweaving themes of fleeting beauty, sensuality, and the delicate balance between freedom and restraint. Through the artful depiction of the sakura and the evocative imagery of Anne-Marie's suspension, Canalla invites us to contemplate the transient nature of life and the deep beauty found in embracing each passing moment. This piece is not just a visual representation; it is an invitation to partake in the dance of existence, to find beauty in transience, and to discover liberation within the act of constraint. "Sakura" evokes reflection, emotion, and a deeper appreciation for the ephemeral beauty that surrounds us, however brief it may be. ©️ 2024 Dante Remy Explore more of Reina Canalla's art at Erosetti Press.

Dante Remy | The term "catharsis," rooted in ancient Greek tradition, signifies a profound emotional release often leading to renewal and personal transformation. This concept is central to psychological healing and artistic expression, and it is particularly resonant in discussions of sexual liberation. I wrote the narrative story "Catharsis" to illustrate how such experiences can foster sexual empowerment and self-discovery. Understanding Catharsis through Story The story begins as a reflection on the female narrator's journey from sexual repression to empowerment, using her sexual experiences as a form of catharsis. Through reflective stanza, she speaks of her past limitations: a time when she could not "imagine owning [her] orgasm." This admission sets the stage for a transformative journey grounded in trust—trust in her desires, her body, and her right to pleasure. The Role of Sexual Liberation as Cathartic Release Sexual liberation in "Catharsis" is portrayed not merely as a pursuit of pleasure but as a necessary dismantling of ingrained shame and societal constraints. The narrator describes how she learned to overcome the false belief that "a woman’s climax did not exist," a belief imposed by a male-centric educational and cultural environment. Her liberation is cathartic; it involves rejecting these harmful myths and reclaiming her body and sexual agency. The story then relates four intertwined themes: Breaking Free from Societal Chains. The narrator exemplifies the cathartic release of shedding old beliefs and embracing a sexuality that had been stigmatized. Through vivid descriptions of sexual encounters where she asserts control, the story conveys a sense of reclaiming power that had been suppressed by societal norms. Healing Through Sexual Expression. The healing power of sexual expression is evident as she uses her newfound freedom to explore desires previously repressed by shame and embarrassment. This exploration is both liberating and healing, allowing her to transform feelings of shame into tools for pleasure, thereby illustrating the therapeutic nature of catharsis. Empowerment and Renewal. The story portrays the cathartic process as intrinsically linked to empowerment and renewal. As the narrator takes control in her sexual encounters, she experiences a profound renewal of self-esteem and personal agency. This empowerment extends beyond the bedroom, influencing broader aspects of her life and identity. Challenges Along the Path to Cathartic Liberation. I focused on process, rather than one monumental shift. It was important to embrace the challenges of pursuing such a deeply personal transformation. The journey requires facing deep-seated fears and societal judgment, which can be daunting. However, the enduring message is one of perseverance and the ultimate reward of self-fulfillment and liberation. Conclusion: The Universal Relevance of Catharsis in Sexual Liberation I hope "Catharsis" may serve as a powerful illustration of how cathartic experiences can lead to sexual and personal empowerment. I sought to describe the essence of cathartic release through sexual liberation but also to highlight the broader implications for personal growth and self-acceptance. In the modern discourse on sexuality, understanding and supporting this cathartic journey is crucial for fostering environments that respect and celebrate sexual expression free from guilt, shame, and fear. By exploring and discussing narratives like "Catharsis," we can encourage a more empathetic and inclusive understanding of human sexuality, highlighting the transformative power of embracing one's sexual identity. ©️ Dante Remy 2024 Read the book Catharsis at the Erosetti Press website.

Dante Remy | "The Impression", the third installment in the Erosetti pillow book series, is a narrative that delves into the profound shifts within a longstanding friendship, exploring themes of passion, desire, and the exploration of boundaries. I wrote with a heavy dose of sensory detail and emotional depth as modern reflection on the ancient Greek concepts of love: Eros, Philia, and Agape. Philia: The Bond of Friendship Philia signifies a deep, affectionate friendship, a love founded on mutual respect, shared experiences, and a genuine concern for the other's well-being. Aristotle, in "Nicomachean Ethics", emphasizes the importance of Philia as a cornerstone of a happy life, suggesting that friendships of virtue are those where individuals wish good things for each other for the sake of the other. The foundation of the relationship in "The Impression" is rooted in Philia; the narrator and their friend share everything, from intimate thoughts to the mundane details of their lives, creating a bond that is both tender and profound. The transition from Philia to Eros highlights the complexity of human relationships, where deep friendship can evolve into something more passionate and consuming. Eros: The Flame of Desire Eros, in Greek tradition, represents passionate love, embodying both physical attraction and an intense emotional connection. Plato, in his dialogue "The Symposium", discusses Eros as a powerful force that can lead one towards the pursuit of beauty and truth. In "The Impression", the stolen kiss and subsequent passionate encounter between the two friends embody Eros in its rawest form. I wanted the narrator to describe the moment of surrender to desire that is both unexpected and overwhelmingly intense, culminating in the line, "I wanted…no, I needed you inside me. Now." This moment of physical connection, marked by a blend of anticipation, desire, and a hint of danger, mirrors the chaotic and transformative nature of Eros as described by the ancients. Agape: The Love of the Soul Agape is a selfless, unconditional love, a love that is charitable, altruistic, and benevolent. This type of love is often associated with a spiritual or divine love, one that transcends the physical and the personal. While I wrote "The Impression" primarily to explore Eros and Philia, elements of Agape can be discerned in the characters' willingness to explore the boundaries of their relationship and the profound connection that transcends physical desire. The act of spanking, beyond its explicit nature, serves as a metaphor for the breaking of societal norms and an exploration of deeper, more soulful connections between the characters. Was it a reach? I think not. My goal was for the reader, like narrator, to have moved through these loves and to a higher level of connection. The Dance of Love "The Impression" interweaves these three types of love, as means to convey the complex and multifaceted exploration of human desire and connection. I hoped to invite readers into a deeply immersive experience through the interplay of word and visual art, encouraging reflection on the nature of love, friendship, and the boundaries we are willing to explore in pursuit of passion. Philosophers have long debated the nature and forms of love, from Plato's idealized forms to Aristotle's pragmatic considerations of friendship and virtue. "The Impression" offers a contemporary reflection on these themes, portraying love as a dynamic and evolving force that defies easy categorization. I write it as a challenge to readers to consider the ways in which love can surprise us, transform us, and leave an indelible mark on our lives. As you journey through the narratives of the Erosetti series, I have woven in reminders of the timeless nature of love's exploration. Whether through the passionate embrace of Eros, the tender bond of Philia, or the soulful depths of Agape, love in all its forms continues to inspire, challenge, and transform us. "The Impression" is a celebration of the enduring power of love to create new beginnings and to leave a lasting impression on the canvas of our lives. ©️ 2024 Dante Remy Learn more about Dante Remy, author, and Reina Canalla, Illustrator, at ErosettiPress.com!

Dante Remy | The redefinition of terms such as “slut”, "slut life", and "slut wife" within sociological discourse underscores a transformative approach to sexuality and relationships, challenging entrenched norms and advocating for a broader understanding of love. This shift is illuminated through the lens of seminal sexologists and sociologists. Michel Foucault, in “The History of Sexuality,” critiques the societal constructs around sexuality, asserting, “We must not think that by saying yes to sex, we say no to power.” This highlights the intricate relationship between sexual autonomy and societal power structures, framing the reclamation of “slut” as an act of empowerment within oppressive systems. Alfred Kinsey’s groundbreaking research in the mid-20th century further disrupted conventional views on sexuality. Kinsey’s assertion that “The only unnatural sex act is that which you cannot perform” challenges the notion of normative sexual behavior, supporting the idea that sexual exploration and freedom are inherent to human nature. Gayle Rubin’s concept of the “charmed circle” of acceptable sexual behaviors versus those seen as deviant underlines the arbitrariness of sexual norms. Rubin’s critique supports the dismantling of labels like “slut,” advocating for a more inclusive and non-judgmental approach to diverse sexual practices. These perspectives converge on the notion that societal perceptions of sexuality are fluid and constructed. The reclamation and positive embodiment of the term “slut” reflect a sociological and sexological push towards recognizing the complexity of human sexuality, advocating for freedom, and challenging the power dynamics that restrict sexual expression. This discourse not only expands our understanding of sexual autonomy but also encourages a more accepting and liberated view of relationships and love. Enter Lola, The Slut In an era of rapidly changing social landscapes, “Slut Life” by H.H. & Lola emerges as a voyeuristic exploration into these evolving dynamics of love, relationships, and sexual autonomy. The chapters present vignette’s of Lola’s life, H.H.’s partner and carnal subject of his writing. The narrative evokes questions that challenge readers to reconsider their preconceptions and to engage in a deeper understanding of modern human connections. “Slut Life” ventures into the provocative and often complex world of modern relationships and sexuality, doing so with depth, empathy, and an unwavering commitment to exploring the nuances of human connection. The book serves as both a mirror and a window—reflecting readers’ own experiences and prejudices, while also offering a glimpse into the lives of those who may walk a different path. It’s a compelling read for anyone interested in the evolving nature of love, the beauty of human connection, and the courage it takes to live one’s truth in the face of societal expectations. Navigating Love and Relationships in a Changing World The essence of “Slut Life” lies in its ability to raise critical questions about the nature of love and relationships in today’s society. One such question is: What does it mean to love freely? Through the chapter “Prospero & Miranda,” we are presented with a vision of love that transcends traditional boundaries: “Jeff, you’re never going to be happy with Sally or any woman until you learn that love is not limited or limiting. Love is license. Love is liberating. Love is the levity of life.” This quote invites readers to reflect on the limitations often placed on love by societal norms and to consider the liberating potential of embracing a more expansive view of love. Redefining Societal Labels and Embracing Sexual Autonomy Another pivotal question raised by “Slut Life” is: How can we redefine societal labels to empower individual identity and autonomy? The text challenges readers to rethink the power of language and the impact of societal labels on personal and sexual identity. The introduction addresses the reevaluation of values and offers profound insight: “This sort of reevaluation of values is exactly what Lo is literally embodying, pushing psychology today to free itself from the prejudices of patriarchy. She wears the labels ‘slut,’ ‘tramp,’ ‘whore,’ and yes, ‘nymphomaniac’ proudly.” By questioning how we can reclaim and redefine derogatory terms, “Slut Life” fosters a dialogue on empowerment, self-identity, and the celebration of sexual autonomy. Exploring the Depths of Altruistic Love The narrative from “The Aesthete & the Slut” prompts readers to consider: What constitutes altruistic love? It suggests that true love seeks the happiness and well-being of the other, free from selfish desires: “Love…is about wanting the good of your partner for your partner, not wanting your partner’s goods all to yourself.” This reflection is pivotal in understanding love in relationships that defy conventional norms, highlighting the importance of selflessness and the desire for one’s partner’s happiness as fundamental aspects of love. The Future of Relationships: A Dialogue on Love, Autonomy, and Boundaries “Slut Life” serves as a platform for broader discussions on the future of relationships, posing essential questions such as: How do we navigate love in a changing world? and What role does sexual autonomy play in our understanding of love? These questions encourage readers to think critically about the evolving nature of relationships and the significance of respecting individual desires and boundaries within consensual connections. Furthermore, the book challenges us to ponder: Can love truly be boundless? By advocating for a vision of love that is liberating and inclusive, “Slut Life” invites us to envision a world where love is celebrated in all its forms, unconfined by societal expectations. In weaving together these critical questions and reflections, “Slut Life” by H.H. & Lola stands as more than a collection of stories; it is a thought-provoking examination of the complexities of love, desire, and connection in contemporary times. Through its candid narratives and insightful stories, the book not only entertains but also educates and enriches, making a significant contribution to the dialogue surrounding love and relationships. It challenges readers to embrace the full spectrum of human emotion and connection, advocating for a more accepting, understanding, and emotionally rich society. ©️2024 Dante Remy Learn more about Slut Life by H.H & Lola, the book, and more at Erosetti Press.

Dante Remy | Stranger fantasy in literature is not a new concept, and it has roots in the exploration of human sexuality, relationships, and the complexities of desire. The theme has been tackled by various authors throughout history, from classic literature to modern erotica. In this narrative, I tapped into this longstanding tradition, using the first-person perspective to bring the reader directly into the protagonist’s mind and experience. The psychology behind stranger fantasies often revolves around the allure of the unknown, the excitement of risk, and the thrill of relinquishing control. The story explores the protagonist’s anticipation, vulnerability, and ultimate satisfaction as they navigate the uncharted territory of a sexual encounter with a stranger. This interplay of emotions adds depth to the narrative, creating a psychological landscape that readers may find both captivating and provocative. In the broader historical context, literature has continuously evolved to reflect societal attitudes toward sexuality and relationships. Works that explore taboo subjects, such as stranger fantasies, contribute to the ongoing dialogue about human desires and the intricacies of personal connections. By weaving a tale that goes beyond the physical act, I offer a platform for readers to reflect on their own fantasies and the societal norms that shape them. While some may argue that explicit content can be gratuitous, others might see it as a way to challenge societal norms and open discussions about the diverse nature of human desires. The power of literature lies in its ability to provoke thought, evoke emotions, and challenge preconceptions, and it was my goal to accomplish all three by delving into the psychology behind desire and fulfillment through story about stranger fantasy. The narrative “I Don’t Know You, You Don’t Know Me.” unfolds as an exploration into the intricacies of stranger fantasy, employing explicit prose to vividly detail the protagonist’s journey through anticipation, vulnerability, and ultimate fulfillment. The story immerses the reader in a narrative that transcends the physical act, delving into the psychological landscape of desire and the human need for connection. The story opens with the stark admission, “I don’t know you. You don’t know me.” This declaration sets the stage for a narrative where the boundaries between familiarity and the unknown become blurred, and the fantasy takes center stage. The protagonist, presumably a woman, recounts sharing her deepest desires with an unidentified third party, who then selects a stranger to fulfill those fantasies on her behalf. The careful and attentive nature of the intermediary is highlighted as they listen to the protagonist’s wants and needs. The selection process is meticulous, suggesting a level of consent and consideration that adds complexity to the narrative. The stranger, chosen to bring the fantasy to life, is now an enigma, a figure the protagonist awaits in a dimly lit hotel library. The setting is crucial to the story, with the crackling fire and the worn leather chair creating an ambiance that is both intimate and mysterious. The protagonist, seated in anticipation, experiences a range of emotions—relaxation, deep breaths, and the anticipation of turning words into sensations. It is a moment of internal dialogue where the protagonist grapples with the rightness of her desires. The stranger arrives as instructed, putting a hand on the protagonist’s shoulder. This simple touch marks the beginning of a journey that takes them through the hotel’s stairwell, each step releasing the protagonist further into the fantasy. The description of the stranger’s actions is meticulous, detailing the caresses, kisses, and movements that heighten the protagonist’s arousal. As they ascend the stairs, the stranger’s exploration intensifies. Hands move from the protagonist’s back to her ass, lips trace a path, and the protagonist gives in to the intoxicating sensations. The anticipation builds with each passing moment, leading to a hallway where the wetness between the protagonist’s legs grows with every step. The transition to a warmly lit room is a pivotal moment. Candles and city lights illuminate the bed that will be the stage for the fulfillment of the fantasy. The stranger, now fully engaged, assists the protagonist in shedding her carefully chosen clothing, each article falling away as the fantasy takes over. The erotic tension continues to build as the stranger’s naked body presses against the protagonist’s. The explicit details of their encounter unfold, from the throbbing cock to the pulsing desire, creating a visceral experience for the reader. The narrative explores the protagonist’s reactions—moans, arching, and the quickening of breath—intertwining pleasure with a sense of urgency. The explicitness of the prose reaches its peak during the intimate encounter. The protagonist’s arousal is palpable, described in raw and unfiltered terms that leave little to the imagination. The stranger’s actions, from teasing to thrusting, bring the fantasy to life in vivid detail. The protagonist’s pleasure is paramount, with the narrative capturing the waves of orgasm and the intense connection between desire and fulfillment. The climax of the story is marked by the protagonist’s plea for the stranger to complete the fantasy. The encounter crescendos with the culmination of desire, a moment of shared ecstasy as the stranger fulfills the protagonist’s deepest longings. The aftermath is a quiet, introspective moment where the protagonist reflects on the stranger who has released her and guided her through the fulfillment of her fantasy. In the concluding moments, as the stranger quietly exits the scene, the protagonist is left in the wake of a fulfilled fantasy, a mix of emotions lingering in the air. The story ends with a poignant reminder of the initial declaration— “I don’t know you. You don’t know me.” The fantasy, though realized, remains a transient moment, leaving the characters as strangers once more. In essence, this story is an exploration of desire, fulfillment, and the nuanced interplay between fantasy and reality. The explicit prose serves as a vehicle to convey the intensity of the protagonist’s experience, pushing the boundaries of literary exploration in the realm of stranger fantasies. It is my hope that the narrative challenges preconceptions, inviting readers to engage with the complex tapestry of human sexuality and the varied landscapes of intimate connection. ©️2024 Dante Remy Learn more about the book Erosetti Book II: I Don’t Know You, You Don’t Know Me and explore Erosetti Press.

Dante Remy | "Inhale," Marquis de Sade might have provocatively suggested within the context of power dynamics in erotic practices, "for there, in the very breath of life, lies the essence of control." This statement encapsulates the complex interplay of power, trust, and vulnerability inherent in the practice known as breath play within BDSM relationships. Breath play, which involves the deliberate control over a partner's breathing process, serves as a profound manifestation of power dynamics, offering a lens through which the ultimate exchange of trust and control can be examined. The practice itself, while fraught with physical risks, symbolizes an intense form of power exchange. The dominant partner, by controlling the breath, holds a symbolic power over life itself, marking an ultimate trust bestowed upon them by the submissive. This exchange is not merely about the physical act of breathing but about the relinquishment of control and the acceptance of vulnerability. It is a dance of dominance and submission, where the breath becomes the medium through which power, trust, and surrender are negotiated and expressed. Anaïs Nin's reflection, "We do not see things as they are, we see them as we are," further enriches the understanding of breath play. This insight invites a consideration of the subjective nature of power dynamics, suggesting that the practice of breath play, like all forms of BDSM, is as much about the psychological and emotional landscapes of the participants as it is about their physical actions. The perceptions, experiences, and trust between the partners shape the meaning and impact of the breath control, highlighting the deeply personal nature of this practice. Breath play and its symbolism potential symbolism in story offers a unique vantage point on the complexities of human sexuality and interpersonal dynamics. It challenges traditional notions of power, consent, and pleasure, pushing the boundaries of what is understood about intimate relationships and the expressions of trust and control within them. The practice underscores the importance of consent, communication, and safety measures, reflecting the ethical considerations that underpin all forms of BDSM. The exploration of breath play through the prisms offered by de Sade and Nin reveals a multifaceted dialogue about power, trust, vulnerability, and the human condition. This practice, emblematic of the broader dynamics at play within BDSM relationships, serves as a poignant reminder of the intricate ways in which individuals seek connection, experience pleasure, and navigate the balance of power within their most intimate interactions. The narrative “Black Choker” vividly explores this intimacy, desire, and the dynamics of power within this form of consent. The use of a black choker as a central motif adds a layer of symbolism, representing not only a physical restraint but also a metaphorical surrender to desire and control. The story unfolds with the speaker describing the black choker, adorned with an o-ring and a small buckle, emphasizing its role in securing the leather straps around the neck. This simple accessory becomes a focal point, serving as a gateway to the exploration of sensuality and submission. The narrative employs a first-person perspective, allowing readers to intimately experience the emotions and sensations of the protagonist. The language is highly descriptive, creating a sensory-rich environment that immerses the audience in the passion and intensity of the moment. The detailed imagery evokes a strong connection between physical touch and emotional response, inviting readers to engage with the narrative on a visceral level. The progression of the story follows the speaker’s journey from wearing the choker to the heightened state of arousal it induces. The choker becomes a symbol of communication, conveying the speaker’s desires and needs without the need for explicit verbal expression. The narrative weaves together the physical and emotional aspects of the encounter, painting a picture of mutual pleasure and shared intimacy. Throughout the narrative, there is a clear power dynamic at play, with the choker serving as a tool for relinquishing control to the other participant. The act of wearing the choker becomes a symbol of trust and submission, amplifying the vulnerability and openness of the speaker. The detailed description of physical interactions, from caresses to penetrative acts, intensifies the connection between the characters, creating a narrative that is both provocative and engaging. The climax of the story is marked by a simultaneous orgasm, symbolizing a profound connection and shared release. The release of the choker from the protagonist’s neck at the end signifies the conclusion of the intimate encounter, bringing a sense of closure to the narrative. As with many stories, Black Choker conveys the sense of beginning, knowing this ritual will continued to be practiced by this couple, whom the reader so voyeuristically enjoyed. ©️2024 Dante Remy Learn more about the book Black Choker, purchase the book, and explore Erosetti Press.

Dante Remy | Anais Nin once famously remarked, “People living deeply have no fear of death,” encapsulating a profound insight into the human condition that resonates deeply with the multifaceted exploration of eroticism of life, faith, and death evident in Reina Canalla’s artwork “Dia de Muertos.” Canalla’s illustration stands as a captivating amalgamation of cultural symbolism, artistic expression, and philosophical inquiry, weaving together the threads of rich heritage, the celebration of the Day of the Dead, and the enigmatic allure of mortality. At the heart of Canalla’s composition lies the figure of a woman in skeletal mask, her form rendered in vibrant hues of red, turquoise, and fire, juxtaposing the stark reality of death with an irresistible vitality. The woman’s long flowing robe and voluptuous curves evoke a sense of sensuality, challenging conventional perceptions of mortality and inviting contemplation on the interplay between life, death, and desire. In this portrayal, eroticism transcends the mere physical realm, becoming a conduit for exploring the deeper mysteries of existence. The inherent eroticism of “Dia de Muertos” resides in its portrayal of death as an inseparable companion to the human experience. Death, often shrouded in taboo and apprehension, emerges here as a paradoxical force, simultaneously haunting and seductive. The woman, with her delicate features and luminous gaze downwards, embodies the convergence of eros and thanatos, enticing the viewer into a contemplation of mortality’s profound mysteries. In her skeletal form, she becomes a symbol of transformation, reminding us that even in death, beauty and vitality endure. Central to Canalla’s exploration of eroticism in “Dia de Muertos,” is its intimate connection to cultural tapestry and religious traditions. The Day of the Dead, a time-honored celebration dating back millennia, serves as both backdrop and inspiration for the painting’s rich symbolism. Rooted in indigenous beliefs and Catholic rituals, this sacred observance offers a poignant reflection on the cyclical nature of life and the enduring bonds that transcend the veil of death. Canalla’s vibrant palette and intricate detailing pay homage to the festive spirit of the holiday, while her portrayal of the woman in skeletal mask infuses the scene with an ethereal beauty that transcends earthly constraints. Moreover, Canalla’s artistic vision speaks to the sacred link between eroticism and the cycles of birth, life, and death. In the woman’s embrace, we glimpse the eternal dance of creation and dissolution, where passion and desire intersect with the inexorable march of time. The illustration’s lush imagery and symbolic resonance invite us to confront our own mortality with a sense of reverence and acceptance, embracing the full spectrum of human experience with open hearts and minds. In the broader context of art history, Canalla’s “Dia de Muertos” occupies a place of distinction as a powerful testament to the enduring allure of eroticism in the visual arts. From the evocative sculptures of ancient civilizations to the sensual canvases of the Renaissance masters, the exploration of human sexuality has long been a central theme in artistic expression. In Canalla’s work, this age-old tradition finds new resonance, offering a contemporary lens through which to contemplate the timeless mysteries death and desire. While the inspiration behind “Dia de Muertos” is not explicitly stated by the artist, one can infer that Canalla drew inspiration from the cultural traditions surrounding the Day of the Dead. The holiday, marked by colorful decorations, intricate altars, and the honoring of ancestors, serves as a backdrop for Canalla’s unique interpretation. The figure with her vibrant colors adds a twist to the traditional celebration, reflecting traditional poses of the Virgin Mary, inviting viewers to engage with the deeper layers of the artwork. An exploration of Canalla’s Dia de Muertos would not be complete without considering the Anais Nin quote embedded at the bottom of the painting: “People living deeply have no fear of death.” This quote, a philosophical underpinning of the painting, reinforces the idea that death should not be feared but embraced as an intrinsic part of life’s journey. It aligns seamlessly with a cultural ethos, where death is not a somber occasion but a celebration of the lives that once were. The quote becomes a lens through which the viewer can interpret the painting, highlighting the intertwined nature of life and death. Canalla’s depiction of sensuous allure, becomes a visual representation of the philosophy embedded in Nin’s words. The beauty found in the masked woman transcends the physical realm, inviting contemplation on the cyclical nature of existence. We celebrate the eroticism of life, faith, and death in Reina Canalla’s “Dia de Muertos” as a testament to the artist’s ability to encapsulate complex themes within a single work of art. Through the portrayal of a woman, skeletal mask, vibrant colors, and intricate details of faith tradition, Canalla delves into challenging societal taboos surrounding death and celebrates the cyclical nature of life. The embedded quote by Anais Nin further elevates the painting, inviting viewers to embrace the beauty and allure of death, echoing cultural sentiments that celebrate the richness of life, even in its finality. “Dia de Muertos” is a profound exploration of eroticism intertwined with the cycles of birth, life, and death, offering a unique lens through which to contemplate the intricacies of our common human experience. ©️2024 Dante Remy Learn more about the art and writing of Reina Canalla, including fine art prints for sale, at Erosetti Press.

Dante Remy The eternal vampire story: Will it be a recast of Bram Stoker’s classic? A literary reference to folkloric traditions? Perhaps something else? Well, if you have read my other articles, you will know it is going to be something else. And, in fact, it is the theme of duality. Let us begin with an evocative narrative about the vampire, one of duality, of pain, and of pleasure. Feast Upon The Light (an excerpt) by Clacks Writer You know our kind. Beings of blood and death, as we are. Predators, feeding upon the weak, the vulnerable…and the chaste. Ageless and timeless. The ancient ones. We are doomed, or blessed – depending on your view – to live out the centuries eternal. I suppose we do seem an alluring species. We possess many things which make us the envy of mortals. Not least amongst them – the gift of time. Time to bear witness to the waxing and waning of the living realm. The seasons’ soft undulations of bloom and decay. The planet’s revolutions of darkness… and light. We watch these events, mostly with spiritless indifference, as a cat might observe the slow death of its prey. But sometimes… sometimes one can discover something new – something which adds a fresh, luminous spark to the deathless procession of existence. Let me tell you of it. Ah, the duality of vampirism. It really comes through in this initial introduction to today’s reading: The narrative Feast Upon the Light by Clacks Writer. I encourage you to check out more of her writing on Reddit (u/clackswriter) and on Twitter (@ClacksWriter). The theme of duality is ever present in the vampire story and it comes through in this reading. Let us take a look at it in the opening. We are immediately struck by the duality of being doomed or blessed, and that is a bit of the vampire dilemma. It’s something that’s so attractive. The eternity, the eternity of life. It’s an attractive thing, certainly to mortals, but it’s a struggle for vampires and we know throughout the vampire story, many of the vampire stories, they are doomed. They do meet defeat, whether it’s a stake through the heart or sunlight itself. This vampire does admit that they do seem alluring and that they do possess many of the things which make us the envy of mortals. But then there’s a shift, there is mortality, but how is it described? The gift of time. What does a vampire do with all of this time? Well, certainly in one aspect, it’s out of their control. To quote the reading “time to bear witness to the waxing and waning of the living realm.” Here again, time to witness the duality, the waxing and the waning. It seems as though this vampire’s really expanded horizons here. To continue, “the seasons, soft undulations of bloom and decay.” Again more dualism of bloom and decay, soft undulations, a playful way to think about it, a beautiful way to think about it, not harsh, not violent, but an interplay between the seasons. And then, finally, “the planets, revolutions of darkness and light.” Oh, now, here is the duality for this particular vampire story. The planets, revolutions of darkness and light turning on its axis, that nocturnal life, the waxing and the waning, evening after evening, year after year, century after century, and a hesitation, the light again standing in duality. This seems to be a vampire who craves more than the nocturnal life. Who craves more than simply taking life. Who seems to be growing in perspective. Who is looking for more. Finally, we end with a discovery: something new. What is this eternal vampire seeking? “A fresh, luminous spark to the deathless procession of existence.” The deathless procession of existence? I exist, yet I am dead. I look for something that’s fresh, not old, not dead, not decaying, something of light, a spark, something that will take on this procession of existence and death. “Let me tell you of it.” Well, this vampire has a story to tell and we will get to it soon. But first let’s take a step back and explore this idea of dualism. Let’s explore the ideas of vampirism through the years and find what might be relevant to this story. Considered to be one of the first literary references to the vampire, the poem Der Vampir by Heinrich August Ossenfelder was published in 1748. Now, the poem follows hundreds, if not millennia, of folklore. It is highly erotic, written in German, now translated into English, and it tells the story of a scorned lover who is threatening to seduce an innocent love into his world of darkness. He proposes that this world is superior to the teachings, the life, the religion of the woman’s mother. Der Vampir, 1748 by Heinrich August Ossenfelder My dear young maiden clingeth Unbending. fast and firm To all the long-held teaching Of a mother ever true; As in vampires unmortal Folk on the Theyse’s portal Heyduck-like do believe. But my Christine thou dost dally, And wilt my loving parry Till I myself avenging To a vampire’s health a-drinking Him toast in pale tockay. And as softly thou art sleeping To thee shall I come creeping And thy life’s blood drain away. And so shalt thou be trembling For thus shall I be kissing And death’s threshold thou’ it be crossing With fear, in my cold arms. And last shall I thee question Compared to such instruction What are a mother’s charms? Well, let’s unpack Der Vampir and come to some understandings. First, we establish the immortal, the immortal vampire, and a love that lasts and that continues, a need and an energy to want to take, to stay with, to be with forever. These are themes discussed in my article on Poe’s poem Annabel Lee. And, in another article, we I discussed the story of Tokaj wine (“Tockay”). The poem cites the River Tisa and compares blood to Tokaj. Remember, the purest form of Tokaj wine is called Essencia, the essence, and it’s thick and it’s sweet but it’s pungent and it’s earthy. And so here we have the blood compared to a beautiful, delicious Tokaj wine, the essence of life. And we see duality here, a challenge to the mother’s faith, a challenging of the goodness and the mortal life, with the immortal vampire life, as it’s described, standing in contrast, wanting to take away. And we also see this idea of love and death in contrast. Only through death, only through the life-giving and the life-taking-away of blood, the essence of life, the Tokaj wine, so to speak, for the vampire, only by taking life can there be an eternity together, can the love be lasting and sustained. So again, duality, goodness and evil, life and death, the taking away to lead to eternity. And some interesting parallels to earlier articles around death and everlasting love and the essence, the Tokaj wine, and the continuity of history. Let us return to Feast Upon The Light and certain pivot points that bring our story together on duality and around aspects and themes of continuity within the vampire story. A final reference to earlier articles: This narrative centers around a discovery, and the discovery relates to the uncurling front of the fern. Recall, in an earlier article, we discussed the eternity of the curl of the fern, the eternity as it carries forth representations in culture, in history, in sustenance, and that uncurling of the fern as a natural process of photosynthesis. In this narrative, we find the ultimate discovery for this vampire: The life-sustaining nature of the sun, of light, standing in contrast to the death that it brings to the immortal vampire. Sustaining and taking away. This is the vampire’s discovery. Let us dive deeper into this narrative. Feast Upon The Light begins with a kind of invitation, doesn’t it? We are invited to be the voyeur of this vampire’s journey, and perhaps that is our duality. Many would not consider themselves a voyeur, a pair of eyes peeking into the life of another, but in fact we are. We are invited into this journey. We are invited into this story and, like a fly on the wall, we are going to witness what is to come. Is this our duality? Your duality? Are you a voyeur? Or, do you consider yourself one who takes an interest in the lives or the visions of others? What is your duality? That is a question to keep in mind as we progress through this reading. Is there a public you and a private you? Are there thoughts and ideas that you keep to yourself? Are there needs that you keep to yourself? Is there a part of you that needs to be expressed in some way through story? Socially? Through personal connection? What is your duality? We take a deep dive into the duality of a vampire, and what do we discover after this initial introduction? We discover that it is science, it is the books, it is the product of humankind, our knowledge, our learning and it is the cycle of life, the complete circle of life, as the vampire states, this idea that what can kill him also creates life. The light creates and sustains life in plants and in animals, as he states, from “the mightiest leviathan down to the smallest mite. How they live. How they die. All in this great circle.” This a powerful line, as you will read, at the conclusion of this article. It is light. It is biology and what the vampire calls a “blissful and wild decadence” that he seeks. He wants more than waiting. He seeks more than observing. He wants to be part of the blissful and wild decadence that is light, that is life. And, again, these words are wielded in such an effective way to tell this story. Through these books that he has found and his studies, it is as if he has taken himself out and laid himself across the earth and let the bright sun shine on him. The vampire talks about the glistening petals, “the glistening petals that tempt the wanted insects to the flowers fecund in fertile depths.” Again, it us not just the earth, It is not just life. It is not just nature. He wants to experience this. He wants to immerse himself in it. He wants to experience the pleasures that this all brings. He wants to, in his own words, “turn the sun’s rays into sustenance.” And what is he going to do? How is he going to do that? As a vampire? What has he been hiding from us in this story? Where is he taking this? Well, as voyeurs of this story, we need to know. So he’s intrigued. He’s enticed. He understands that this seemingly universal act of creation is forbidden to him. He thinks and plans. He wonders, what powers could be bestowed on him? What would be the fruit of this light if he could be among “the dappled green fronds of ivy which latch upon my walls and feast upon light?” He waxes poetic about what could be and where it could take him, where it could take his powers, his perpetual, eternal life, his body? What would this do? And again, this line, “the dappled green fronds of ivy which latch upon my walls and feast upon light:” He sees himself in that and it reminds us of that curling fern that reaches out and unfurls towards the light, towards life, and thus gives life. In so many ways, I found this so powerful, having explored the world of the fern and its meaning and how it is carried through culture and how it sustains life. This is no ordinary vampire. He has a plan and it is great and it is immense. He is going to launch this plan during Solstice. He describes Solstice as “that brief opening when this reverent satellite that we inhabit worships its mistress more fervently.” The theme of the body and of the erotic is so strongly carried through the vampire story, isn’t it? Those rays, surely they would be their “most potent, their most irresistible?” He views life as something to be wrestled with, to struggle with, to dance with, to experience, to seduce in some way, some way so that he can take what could be his, so that he can experience more. And how will he do this? Well, it is so simple: he is going to create a careful slit in a curtain and sit and wait for the sun to shine. It is a seductive, irresistible beam upon his neck and upon his body, and without revealing the effect this has on him, allow me to just recall a few lines that I think will accentuate this. He talks about the light and how it begins to “playfully excite my senses.” He is already trembling with excitement, resolved “not to move to experience the power and what may come from this light.” He describes it as being “delicate at first, just the faintest hint of feeling and teasing him”, then a “tingling in his heart”, racing as his “breath quickens.” He describes this first sensation as “delicious.” And, here comes the duality, he describes it as “merging from pleasure to pain, like kisses that turn to ice, cold daggers piercing” him. And as he comes to this realization, this duality, this pleasure and pain, he “shudders from his being” and he “cries out in ecstasy.” He calls it his “‘beautiful torment, the silver light, the gentle lover” that he invites in, and has so much to teach him. So much to teach him about life, about living, about feelings and sensations, about his own duality and, in his words, “the potent emotion deep at his core, a pain that’s unbearable,” and the “spectra of death playing at the edge of his mind.” This is a vampire story for the ages. It is about continual discovery. It carries that duality so strongly forward, but also washes back upon the vampire, providing a kind of pleasure that is unspeakable. He puts words to it. He talks about being seduced, about being hurt, about being ravished, and in the end he wants to share this. He wants to share this pleasure. He tells the story and invites us in. And, oh, aren’t we the curious voyeurs, our own duality projected onto this. We want to know more, we want to learn what the vampire experiences. We need to know. We also want to feast on the light. I return to the question: What is your duality? What is it that you keep closed off in the dark only, perhaps, to pierce a curtain to let a little bit of light in? What are your dualities that you don’t share with others? Are they cravings? Are they needs? Are they wants? Are they too personal to share? Are they too dark and deep to explore? In the end, this reading leaves us with some questions. Who is it that the vampire is inviting in? The vampire, in the end, is inviting us to explore ourselves. What should we cast off? What should we reveal? What is it that you bring to this story? This is the vampire’s story, yet it is a story about us. It is an eternal story about good and bad and pleasure and pain and secrets and want and need. Are vampires in our own right? This reading, this feast, will encourage you to let the light in and, in doing so, to invite others into your world. Feast Upon The Light by Clacks Writer. Feast Upon The Light by Clacks Writer You know our kind. Beings of blood and death, as we are. Predators, feeding upon the weak, the vulnerable… and the chaste. Ageless and timeless. The ancient ones. We are doomed, or blessed – depending on your view – to live out the centuries eternal. I suppose we do seem an alluring species. We possess many things which make us the envy of mortals. Not least amongst them – the gift of time. Time to bear witness to the waxing and waning of the living realm. The seasons’ soft undulations of bloom and decay. The planet’s revolutions of darkness… and light. We watch these events, mostly with spiritless indifference, as a cat might observe the slow death of its prey. But sometimes… sometimes one can discover something new – something which adds a fresh, luminous spark to the deathless procession of existence. Let me tell you of it. Since I was turned, I have of course read many of the written works of mankind. This learning has imbued me with knowledge of many things – events, people, the thread of history running down through millennia. But what most aroused my interest were the books on the natural sciences. An unusual subject for the undead, I know. But nonetheless a truly unexpected delight in my reading. I devoured piece after piece of knowledge. Knowledge encompassing all of nature’s offerings – the delicate air, the boundless expanses of the oceans, the profound, creaking age of the earth which breathes and shifts imperceptibly beneath our feet. Animals of all kinds, from the mightiest leviathan to the smallest mite. How they live. How they die. All in this great circle. But it was the botanical tomes that I particularly loved. I found in them a kind of blissful and wild decadence. With their lists of Latin names to tease the tongue, their sensuous depictions of smooth tendrils… sap-soaked leaves… glistening petals that tempt the wanton insects to the flowers’ fecund and fertile depths. What more appropriate a place to find that spark – that tiny, individual morsel of wisdom which arrested my mind and made my cold heart pound within my chest. I’m almost afraid to utter it. It seems trite to speak of it so simply now, but… I learned of the way in which plants possess the remarkable ability to turn the sun’s rays into sustenance. I was astounded. That very same elemental force that means destruction for me is to them the very essence of life. I learned that this was indeed true for all living things – without light they are diminished. The enormous power of this simple chemical reaction! It intrigued me. Enticed me. I began to feel a deep longing. I began to wish that I too could partake in this delight – this seemingly universal act of creation that was forbidden to me. I knew it was not possible… yet… was it? Could I find a way to experience this? What powers would be bestowed on me if I could bring this to fruition, even if just for a moment? Could I become akin to the dappled green fronds of ivy which latch upon my walls… and feast upon light? I admit, I became obsessed. With time enough to fill infinite oceans, one has ample opportunity to dwell. My mind would not cease thinking of it. That was when I learned of the Solstice – that brief opening when this reverent satellite we inhabit worships its mistress more fervently. The sun – that enraged fire threatening to be my destroyer – would appear, suspended at its divine apex, like an eagle poised moments before a kill. Its rays would surely be at their most potent. Their most… irresistible. I had to take advantage of this. The night before, I carefully prepared my experiment. It was so simple. A single cut – that’s all it took. In the thick, heavy drapes hanging up at my study window. A perpendicular slit, deftly teased open just the right amount, to allow a small shaft of light to penetrate the gloom. Then, I waited. The sun began to rise the next morning, and there, in the dimness, I first glimpsed its rays. Unused to such a sight, they began to playfully excite my senses, though I found that I could not look directly at them without discomfort. Thus I found myself, on that bright summer’s day, alone, sitting in the chair in the dark of my study, watching out of the corner of my eye as the brief sliver of light moved steadily closer. From its trajectory, it would reach me within an hour or so, and begin its slow creep across my exposed throat. I was already trembling with excitement, resolving to myself not to move no matter what happened. And then, finally, after what seemed like an age… it started. Delicately at first. Just the faintest hint I felt, teasing me. Then it crept further, and further. I felt a tingling. My heart raced. My breath quickened. Then… Oh! The way it conjured itself – that first delicious sensation! The way it merged from pleasure to pain – oh! Like a warm kiss suddenly turned to ice cold daggers piercing me. I shook, and my whole body ached with its memory as it subsided and I came to rest. But no sooner could I think about what I had just experienced, it returned – stronger and even more intoxicating. Biting. Searing. Entering me. Seeping into my very being. And so it continued – a rising and a falling – each wave greater and more potent than the last. And like a still surface suddenly troubled by a resonance – its ripples undulated through me, growing, extending, until they filled my senses entirely. I felt a pulsing, as if my whole body were contracting. Shaking, trembling, I grasped my chair ever tighter. A shudder left my being and I cried out in ecstasy. Oh how the beautiful torment of that moment returns to me now! Tears streaked down my face as I felt the last delicate vibrations leave me. As the sliver of light – that gentle lover – caressed my skin one final time, then faded to darkness once again. Was it the pain that I enjoyed? Undoubtedly it was. But it was something more than that. It was the realisation that, until that moment, I had not felt fear for many centuries. Not since I was amongst the living had I observed in myself the tremble of that potent emotion. And now I had felt it, deep at my core, as the pain had become almost unbearable… and the spectre of death had played at the edges of my mind. It was sublime. And now I want to share that with you, my darling. Come. Come with me and feel for the first time once again. Let us together experience this life-giving act. Let us allow ourselves to be seduced… hurt… ravished… Let us devour each other’s pleasure. Until we are truly sated. Let us feast upon the light. ©️ 2023 Dante Remy

Dante Remy Diabolical and desirous frequencies: A promise of surprises and revelations. Let’s start by listening carefully. Here, you can listen to a clean 33hz sound wave. This is a low Hertz frequency. We are going to explore what sounds do to us, what frequencies do to us, and specifically the 33 Hertz frequency, its history, some tradition and some science associated with it. This frequency is used in a very diabolical story, a reading, so to speak, entitled Extended Stay that explores what these frequencies can do to us over time. So, as a way of introducing you to this topic, I present a short segment of Extended Stay. Extended Stay (Excerpt) by Beegeewanders Despite the beautiful sights and bustling nightlife, you came home earlier and earlier each evening. You laid on the welcoming bed to listen to the tone, to sense it, just as I knew you would. It has a steady thrum to it that seems to match the rhythm of your body. The longer you listen, the more your thoughts fade and the less anything else seems to matter. “Listen to me and let go of your thoughts”, it seems to say. “Listen to me and you’ll be safe.” So you do you listen, you let go of your thoughts and you feel safe. So safe that surrendering your body and mind to sleep is even easier than before. So easy because you have done it night after night, subconsciously wishing to give in deeper each time it reverberates through your body and muddles your mind. It leaves your body heavy and your eyelids droopy. You continue breathing deeply, controlled, sinking deeper into relaxation, letting your muscles loosen and your mind idle, while you listen to the hum of the room and follow my voice. You need to sleep. When you hear that tone, when you let your eyes slip closed while listening to it, you feel so tranquil. You need to sleep. You’re just so tired. Allow my voice to enter your room. If anything, my presence eventually makes you feel even more safe. My voice slips in where your thoughts once were while you listen to the sleepy sound. The sound of my words rolling off my tongue. The sound of my magical tone ringing in your ears. The sound of my sweet whispers tickling and encompassing your mind. Extended Stay, by Beegeewanders, is an audio performing artist and writer. Her scripts and audios can be found throughout social media following this link to her carrd. Now, there are so many topics to cover here. We could discuss binaural beats, the process of playing a different Hertz or frequency in each ear, resulting in a mysterious third frequency that is heard and processed by the brain. Or, how about subliminal noises, phrases, and images? A very dubious topic fraught with misunderstanding and very weak research. No, we are not going to focus on those here. We will focus only on frequencies, Let us start with the range of frequencies and those frequencies that have effects on us, for example, 20 Hertz. I cannot play an example of 20 Hertz, because sound at 20 Hertz or lower is imperceivable. Yes, it is heard, it is just not recognized, it’s just not noticed. However, there is a broader frequency range that has implications on our well being, on our moods, on the way we perceive the world around us. In the lower frequencies, there is the gamma range, 30 to 100 Hertz. These frequencies are associated with increased cognitive enhancement, helping attention to detail and memory, recall and potentially creativity. If you search for 30 to 100 Hertz or frequencies, you’ll find many examples of these. Going a little lower, beta, 14 to 30 Hertz, is just above the 20 Hertz range, just above the perceivable. These brain waves at these frequencies are associated with attention and focus, problem solving, stimulating energy and action and a high level of cognition. There are waves and frequencies that go into the 900s. However, here, we are focusing on the lowest waves and, in the case of our narrative and the associated podcast, the frequency of 33 Hertz. This frequency is found in the popular press and also in research on healing. In terms of popular press, there is a widely known story about a car dealership in the 70s that was promoting a new audio system for cars with very deep, low, throbbing bass sound. Through trial and error and through customer service, they found that the frequency, the waves, the vibrations of the 33 Hertz bass drive brought considerable pleasure to many of the listeners in their demonstration cars. More recently, a British performance artist has used 33 Hertz to create what he calls the orgasmatron. It is a sitting device where subjects in the art performance sit and experience 33 Hertz in waves and vibrations and throbs, again, bringing the participants to heights of pleasure. There has, in fact, been scientific studies about the effects of frequency vibration on the body. According to studies sponsored by the National Institute of Health, vibrations of frequencies from 25 Hertz and above do increase greater blood flow and an increase in the cortisol level of the subjects, linking some science and some physical change to what we know from art and from selling stereo systems. But these examples focus on vibrations of that frequency. In the case of the diabolical and desirous, we are focusing on the aural effect—the effect of listening, of hearing, on the brain, on the body, and our mind. Thirty-three Hertz sits right at the cusp between beta and gamma waves. Beta, as we described, reflects being alert and focused, whereas gamma, on the higher end towards 35 Hz, increases brain waves and the processing of information, particularly in context of many sounds, many thoughts, many ideas, focusing concentration and problem solving problem. Let’s listen to a pure 33 Hz frequency, once more. On a more ethereal plane, 33 Hz is considered one of the primary vibrations of the Earth. It had been linked to religion, to spiritual chant, and to increased states of meditation, relaxation and transcendental experiences. This brings us back to our narrative, Extended Stay, in which the subject has checked in and may never leave. A frequency, a pulse, a sound plays over and over, relaxing the visitor, making them feel warm and happy, creating an indifference to everything that’s happening around them. They want to return to it. They want to experience it over and over. It is desirous, yet diabolical. Will they ever be able to resist and to leave this state of relaxation? This deep and spiritual comfort? These are questions we bring to this story. If you read it, perhaps you will find a sense of calm and relaxation too. As you close out your day, when you lay your head on your pillow to sleep, listen to the sounds around you. Listen and relax. Be open to the creak of your room. The hum of the air. The stirring of the wind and the night creatures. Open yourself to the sounds, the vibrations, and the gentle noise that lull you to sleep. In way, your sleep is your stay. It is your extended stay. ©️ 2023 Dante Remy

Dante Remy In the intricate tapestry of the natural world, the language of flowers emerges as a captivating and profound means of communication. As we ponder the essence of a flower—its potential as metaphor, symbol, or merely a physical object—we embark on a journey to unravel the intricate language embedded within its delicate petals. This exploration takes us beyond the spoken word, revealing a silent dialogue between humanity and the blossoms that grace our surroundings. Consider the Tanka-style poem Flower: Flower by Dante Remy I leave you sleeping, And find the first spring flower, On a quiet walk, The flower awakens you, Tracing across your body. You smile, eyes closed, Inviting me to your warmth, Kisses, from your neck, To your breasts, holding your wrists, Above your head, going down. In search of nectar, Thumbs opening your flower, My tongue, a bee’s dance, Caressing a sun-drenched bud, “Right there,” you whisper, to me. The poem portrays nature as a lover’s touch, a sensual force that awakens our senses and stirs the depths of our souls. Whether it be the velvety petals of a rose, the gentle brush of leaves against the skin, or the smooth touch of a river’s surface, each sensation fosters an intimate connection with our surroundings. The sounds, aromas, and colors of nature create a symphony of sensations, inviting us to immerse ourselves in the sensuous beauty that envelops our existence. Floriography: Nature’s Secret Code The Victorian era witnessed the rise of floriography, an art that transcends spoken language by expressing emotions, sentiments, and messages through the language of flowers. The societal norms of that time discouraged direct expressions of affection, prompting individuals to turn to nature for a discreet means of communication. Floral dictionaries and guides were published, outlining the symbolic significance of different flowers and aiding people in crafting messages through carefully selected arrangements. While floriography reached its zenith during the Victorian era, the practice of using flowers to convey messages predates it, revealing a timeless and universal aspect of human expression. The symbolism of flowers persists in various cultures and historical periods, adapting to the nuances of interpretation in arrangements, colors, numbers, and presentation. This enduring tradition endorses the belief that the language of flowers is an art form that transcends temporal and cultural boundaries. Floriography, or the language of flowers, is portrayed as nature’s secrets unveiled. The soft petals and gentle fragrances of blossoms weave stories and evoke emotions, creating a code understood by hearts attuned to nature’s language. The arrangement of flowers becomes a delicate dance, adding layers to the narrative—an intricate language woven in colors, scents, and positions that express sentiments beyond the capacity of words. As we meander through the language of flowers, we recognize it as a timeless and universal form of expression. The subtle yet profound messages conveyed through the art of floriography connect us to nature’s beauty and our shared human experiences. Whether whispered through the rustling leaves or embedded in the hues of a sunrise, the language of flowers remains a testament to the enduring power of nature’s silent dialogues and the timeless beauty of human connection. ©️ 2023 Dante Remy