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Dante Remy | When Joseph Sheridan Le Fanu’s Carmilla  first appeared in serialized form in The Dark Blue  magazine between December 1871 and March 1872, it quietly introduced one of literature’s most enigmatic and enduring vampire figures. Preceding Dracula  by over two decades, Carmilla  carved out a space for the seductive female vampire, whose predatory love operates within the uncanny landscapes of the Gothic tradition. While Le Fanu’s haunting narrative has long enjoyed literary acclaim, few readers realize that it was originally accompanied by three illustrations—images that subtly shaped the story’s reception at the time but have remained all but forgotten for nearly 150 years. Now, for the first time, these illustrations have been reunited in Carmilla: Restored Edition , published by Black Fern, an imprint of Erosetti Press (2024). This edition not only digitally restores the original engravings by David Henry Friston and Michael Fitzgerald but presents them alongside a curated selection of Gothic and erotic art from the same period. The result is a lush, immersive reading experience that resurrects the novella’s visual history and amplifies its psycho-sexual themes. The Lost Illustrations of Carmilla Le Fanu’s Carmilla  was serialized in five monthly installments in The Dark Blue , a literary magazine known for its Gothic sensibilities and avant-garde illustrations. Though often overlooked in later reprints, the original serial included three illustrations that appeared at pivotal moments in the text. Two of these were the work of Michael Fitzgerald, a lesser-known illustrator whose pen-and-ink style aligned with the emerging Symbolist movement. The third was by David Henry Friston, best remembered today for his illustrations in the first edition of Dracula  (1897). Their collaborative visual interpretation of Carmilla  remains one of the most haunting artistic contributions to vampire literature. As I have noted in the forward to the Restored Edition  note, these illustrations were never published together in book form until now. The restoration involved sourcing rare, corrupted copies of The Dark Blue , repairing damaged lines, and digitally reviving the fine crosshatching and shadow work that gave these images their uncanny depth ( Black Fern, Carmilla: Restored Edition , 2024 ). The Illustrations: Three Moments of Dread and Desire Each of the three illustrations captures a key turning point in Laura’s descent into Carmilla’s world—points where seduction and terror become indistinguishable. These images do more than depict the events of the story; they evoke its underlying tensions: eroticism cloaked in horror, and love perverted by vampiric hunger. "Funeral" by Michael Fitzgerald (1872) “As we sat thus one afternoon under the trees, a funeral passed us by.” Michael Fitzgerald’s illustration, Funeral , marks the moment in the story when Laura and Carmilla sit together in the castle gardens, witnessing the passage of a funeral procession. The villagers carry the coffin of a young peasant girl who has died under mysterious circumstances—her wasting illness marked by nightmares of a spectral visitant. This is one of several deaths that foreshadow Laura’s own fate. In the narrative, this quiet, somber event unfolds with an eerie stillness. Yet, it is Carmilla’s reaction that draws attention. She is visibly disturbed, not by sorrow or reverence, but by anger and contempt. When Laura stands and joins the mourners’ hymn, Carmilla covers her ears and declares the song an unbearable cacophony. “You pierce my ears,” she protests, before denouncing funerals as pointless “fuss.” In Gothic tradition, the vampire fears sacred rites and the symbols of Christian burial, and Carmilla’s outburst betrays her true nature. Fitzgerald’s rendering captures the contrast between the serene ritual of the villagers and Carmilla’s private turmoil. The mourners move in solemn procession through the shaded glade, their bowed heads forming a silent chorus of grief. In the foreground, Laura appears contemplative, while Carmilla’s posture suggests tension, her face turned away, isolated in her defiance. The mist drifting across the ground, a visual hallmark of Gothic imagery, suggests both the literal fog of the Styrian countryside and the metaphorical fog clouding Laura’s understanding of Carmilla. The funeral scene encapsulates the novella’s themes of repressed knowledge and impending doom, with Fitzgerald’s careful composition reflecting the tension between innocence and corruption, reverence and desecration. "Laura in Bed" David Henry Friston (1872) "I had a dream of something black coming round my bed..." Friston’s illustration, Laura in Bed , presents one of the story’s most haunting moments—Laura’s eerie, hallucinatory experience during the night. This occurs as Laura begins to succumb to Carmilla’s predation, her strength waning and her dreams growing more disturbing. In this scene, Laura awakens to what she believes is a nightmare. She describes a vague, oppressive presence creeping around her bed. “I had a dream of something black coming round my bed,” she recounts, capturing both the surreal quality of the experience and her growing fear. The image of this shadowy force, indistinct and formless, prefigures Carmilla’s vampiric visitations, where her attacks leave no physical wounds at first, only an unexplained exhaustion and dread. Friston’s illustration emphasizes the psychological terror of the moment. Laura lies in bed, her eyes wide with terror, as a black shape looms at the edge of her mattress. The form is deliberately ambiguous—neither clearly human nor animal—evoking the shapeshifting lore of vampires in European folklore, where they often appear as shadows, mists, or predatory animals. The stark interplay of light and shadow creates a claustrophobic atmosphere, with Laura isolated in the small pool of light, while darkness presses in on all sides. This moment marks the transition from Laura’s innocent affection for Carmilla to an unconscious recognition of the danger she faces. Friston captures the shift from Gothic romance to psychological horror, where the boundary between dream and reality begins to erode. "Carmilla" by David Henry Friston (1872) "I saw a large black object, very ill-defined, crawl, as it seemed to me, over the foot of the bed, and swiftly spread itself up to the poor girl's throat, where it swelled, in a moment, into a great, palpitating..." Friston’s second illustration, titled simply Carmilla , is the most iconic and reproduced of the three orginal illustrations. It accompanies one of the novella’s climactic revelations. Here, Laura witnesses—or dreams she witnesses—a horrific vision of Carmilla’s true nature. She describes seeing a dark, amorphous shape creeping up over her bed, spreading itself across her throat, and swelling into a great, palpitating mass. This ghastly description comes after Laura has become increasingly debilitated. Her dreams have grown more vivid, and her sense of reality is slipping away. In this vision, the vampire’s predation is finally depicted in its monstrous form. Gone is the beautiful, languid Carmilla; in her place is an undulating shape that suggests something both animalistic and parasitic. Friston’s illustration distills this moment into a tableau of Gothic horror. The darkness of the figure contrasts with Laura’s pale, partially nude, defenseless body, drawing the viewer’s eye to the point of contact at her throat—the site of both vampiric feeding and erotic intimacy. The “palpitating” mass that Le Fanu describes becomes a visual manifestation of Carmilla’s suppressed monstrousness, hinting at the grotesque reality beneath her beautiful exterior. This scene in the novella marks the beginning of Laura’s awakening to the truth of Carmilla’s identity and the mortal danger she faces. Friston’s depiction echoes the era’s fascination with the dual nature of the vampire as both alluring and abject. As Georg Müller observes in Vampires and the Visual Imagination  (2020), late 19th-century vampire iconography often dwelled on the transformation from seductress to predator, capturing the horror of desire turned fatal. Restoring the Gothic Erotic Aesthetic The Restored Edition  does more than present the original illustrations; it places them within a broader visual context, assembling a gallery of Gothic and erotic art from the same period. In curating the visual gallery that accompanies Carmilla, I was faced a delicate task: selecting artwork that would not only enhance the reader’s experience but also deepen the thematic resonance of Le Fanu’s novella. While a vast body of Gothic and erotic artwork was considered, only a select few were ultimately included. The goal was not to overwhelm the text with unrelated images, but to curate an exhibition that would illuminate Carmilla ’s atmosphere of death, seduction, and taboo desire. Among the chosen artists, three stand out for their iconic status and the controversy that still surrounds their work: Martin van Maele , Louis Brougham , and Charles Allan Gilbert . Each of these artists was selected because their work speaks directly to Carmilla ’s central preoccupations—erotic control, hidden identities, and the inescapability of death. Their art is provocative, layered, and reflective of the shifting moral anxieties that defined the Gothic imagination at the turn of the 20th century. Martin van Maele: The Master of Erotic Subversion Martin van Maele (born Maurice François Alfred Martin van Miële, 1863–1926) is arguably one of the most provocative illustrators of fin-de-siècle Europe. Best known for his illustrations of erotic literature—often clandestinely published—van Maele’s work walks the fine line between decadent sensuality and outright pornography. His precise, almost clinical linework, paired with a sense of playfulness, makes his work at once shocking and darkly humorous. In Carmilla: Restored Edition , van Maele’s illustrations feature prominently: La Comtesse au fouet  (1926), La Grande Danse macabre des vifs  (1905), and Of Crime and Criminals  (1908). These images were chosen not simply for their eroticism but for how they resonate with Carmilla’s character: a noblewoman who dominates, seduces, and destroys. La Comtesse au fouet , in particular, presents an image of aristocratic female power that is simultaneously alluring and terrifying. It captures the aspect of Carmilla as both a lover and a predator—a theme at the very heart of Le Fanu’s novella. Van Maele’s La Grande Danse macabre des vifs  takes the medieval dance of death motif and injects it with eroticism and black humor. This perfectly complements the Gothic undertones of Carmilla , where the seductions of the vampire are laced with inevitability and doom. His ability to render death as a macabre seduction underscores the vampiric themes in Le Fanu’s work, where eroticism and mortality are hopelessly entwined. Van Maele’s inclusion in this edition was not without controversy. His illustrations were often banned or censored in his time, and even now, his frank depictions of sexuality can unsettle modern audiences. Yet it is precisely this fearless confrontation with taboo that makes van Maele essential to understanding Carmilla ’s complex erotic charge. Louis Brougham: The Femme Fatale as Monster Louis Brougham’s La Femme Chauve-Souris  (c. 1890), or The Bat Woman , is another striking inclusion. Brougham is a relatively obscure figure in the history of fin-de-siècle art, yet this singular image has garnered significant attention for its provocative symbolism. The woman depicted in bat-winged garb—part masquerade, part monstrous hybrid—stands as a literal personification of the vampire myth. Her costume suggests both allure and danger, the bat wings highlighting her connection to the nocturnal and the supernatural. Brougham’s Bat Woman  embodies the duality of Carmilla herself. Outwardly beautiful and seductive, Carmilla masks her predatory nature beneath layers of charm and cultivated innocence. The image plays with the trope of the masked woman, a common device in decadent art, representing hidden desires and concealed threats. In the Gothic tradition, as scholars like Christine Murray argue in Decadent Illustration and the Female Vampire  (2014), the masked female figure is often used to symbolize anxieties about women’s growing autonomy and power. Brougham’s illustration plays directly into these fears—casting woman not as victim, but as predator. The decision to include La Femme Chauve-Souris  was deliberate. While many other images of vampires and bat-women exist, few so effectively capture the unsettling power dynamics of Carmilla’s seduction. Brougham’s work was included for its boldness, its ability to simultaneously attract and repel, and its uncanny encapsulation of the story’s themes. Charles Allan Gilbert: The Illusion of Beauty and Death Charles Allan Gilbert (1873–1929) is best known for his memento mori illustration All is Vanity  (1892), included in Carmilla: Restored Edition . At first glance, the image shows a woman seated at her vanity, admiring herself in a mirror. But when viewed from a distance, the composition forms the shape of a human skull. This double image encapsulates the Victorian obsession with death and beauty—the idea that beneath the surface glamour lies the rot of mortality. In Le Fanu’s novella, Carmilla’s beauty is seductive, but it masks the inevitability of death. Laura is drawn in by Carmilla’s charm, her seeming vulnerability, and her tender affection. But this intimacy leads not to romantic fulfillment, but to slow destruction. Gilbert’s All is Vanity  speaks to this experience: the realization that what appears beautiful and life-giving is, in fact, hollowed out by death. Gilbert’s image was included over many other memento mori works because of its enduring power and subtlety. While many similar pieces rely on overt morbidity, All is Vanity  offers a quiet, creeping realization—the same realization that dawns on Laura as she uncovers Carmilla’s true nature. The duality of life and death, beauty and decay, is central to both the image and the novella. Other Artists Included in the Edition In addition to the restored original illustrations and the more controversial works by Martin van Maele, Louis Brougham, and Charles Allan Gilbert, Carmilla: Restored Edition  features a carefully curated selection of Gothic and decadent artwork by other notable artists of the late 19th and early 20th centuries. Among them is Nelly Littlehale Umbstaetter Lindsay, whose series This Shrine  (1874) graces the edition’s cover, title page, and interior. Lindsay’s refined line work and ethereal imagery establish a tone of reverence tinged with melancholy, drawing the reader into Laura’s solitary world before Carmilla’s arrival. Her quiet, introspective female figures evoke themes of longing, innocence, and loss, framing the novella as both a personal tragedy and a meditation on desire. These pieces were chosen for their subtle ability to evoke the emotional isolation and yearning at the heart of Laura’s narrative, lending a delicate, haunting beauty to the opening pages. Other featured works deepen the story’s exploration of eroticism and mortality. Philip Burne-Jones’ iconic painting The Vampire  (1897) depicts a femme fatale bending over her pale, lifeless victim. While Burne-Jones’ vampire preys on a man, the image resonates with Carmilla’s predation, embodying the femme fatale archetype that haunted the Victorian imagination. Similarly, Antoine Penot’s Trilogie érotique  (1905) and Abandon  (c. 1890) present scenes of erotic surrender and transgression. Penot’s figures, languid and exposed, reflect the psychological state of Laura, who finds herself both entranced by Carmilla’s attentions and unable to resist them. These works were chosen for their emphasis on power dynamics and the sensual pleasure laced with danger that defines Le Fanu’s vampire. Together, they reinforce the novella’s central tension between eroticism and annihilation. Rounding out the selection are works that highlight themes of deception, vanity, and hidden identities. Frederik Kaemmerer’s Woman in a Masquerade Costume Looking in a Mirror  (1892) offers a symbolic reflection on Carmilla’s duplicitous nature—her mask of innocence concealing monstrous intent. Likewise, C. Glibert’s All is Vanity  (1892), in which a woman’s vanity transforms into a memento mori, perfectly captures the novella’s preoccupation with the fleeting nature of beauty and the ever-present shadow of death. Paul Grabwinkler’s illustration from Die Muskete  (1928), though more playful in tone, provides a modern echo of Gothic eroticism, bridging the fin-de-siècle sensibilities of Carmilla  with the libertine decadence of the Weimar era. Each of these works was carefully selected to enrich the text’s atmosphere, emphasizing the psychological complexity and the fatal allure that make Carmilla  an enduring masterpiece of Gothic literature. A Visual Resurrection Carmilla: Restored Edition  is both a literary restoration and an artistic resurrection. For the first time, readers encounter Le Fanu’s text as it was first imagined by its illustrators—a world of shadowed forests, decaying castles, and intimate terror. By reuniting Friston and Fitzgerald’s original illustrations and presenting them within a gallery of Gothic eroticism, this Black Fern publication restores Carmilla ’s place not only as a landmark of vampire fiction but as a key text in the visual culture of the Gothic. Carmilla, Restored Edition from Black Fern. The Restored Edition   invites readers to linger over the details: the fine line work of Friston’s bedroom seduction, the symbolic solemnity of Fitzgerald’s funeral scene, and the claustrophobic embrace of Carmilla’s whispered promise. These images reveal the psycho-sexual complexities at the heart of the story, reminding us that Gothic terror often wears the face of love. In bringing together text and image, Le Fanu’s Carmilla  emerges anew—a story of forbidden love, erotic possession, and the eternal return of the repressed. As Laura herself reflects in the novella, “You are mine, you shall be mine”—a line that echoes not only Carmilla’s obsessive claim over Laura but the enduring grip of this haunting tale over readers for more than 150 years. Dante Remy ©️2025 Explore Carmilla, Restored Edition exclusively from Black Fern, an imprint of Erosetti Press . Available in hardcover and paperback here and at Amazon .

Dante Remy | Carmilla, Restored Edition, uncensored and featuring a forward and the original and period erotic illustrations, available from Black Fern, an Imprint of Erosetti Press . Joseph Sheridan Le Fanu's  Carmilla  stands as one of the most enduring and provocative pieces of gothic literature, particularly in the vampire genre. Written in 1872, Carmilla  predates Bram Stoker’s Dracula  by over two decades, establishing many of the conventions that would later define erotic vampire fiction. This article delves into the controversial history of Carmilla , the erotic vampire tale's groundbreaking impact on gothic literature, the psycho-sexual themes that permeate the narrative, and why this restored edition is a must-have for any personal library. Carmilla: The Controversial Erotic Vampire Tale of Its Time Carmilla   was published during a period when Victorian society was characterized by strict moral codes, particularly regarding sexuality and the role of women. In this context, Carmilla  was nothing short of revolutionary. The story explores themes of female sexuality, lesbian desire, and the power dynamics in intimate relationships, all through the lens of a gothic horror narrative. Victorian readers would have found Carmilla  erotic and unsettling not only because of its supernatural elements but also because of its exploration of taboo subjects. The intense, almost predatory relationship between Carmilla and the protagonist, Laura, challenges the era’s norms surrounding female friendships and relationships, pushing the boundaries of what was considered acceptable literature. The erotic undertones and the subversion of traditional gender roles marked Carmilla  as a work of significant controversy. Groundbreaking in the Vampire Genre Carmilla  broke new ground in the portrayal of vampires, moving away from the monstrous, folkloric representations of the past. Le Fanu's vampire is not a grotesque creature of the night, but a beautiful, seductive woman who embodies both terror and allure. This duality would become a defining characteristic of vampires in popular culture, influencing countless works that followed. Page from Carmilla, Restored Edition , available from Black Fern, an Imprint of Erosetti Press . Le Fanu’s narrative also introduced the concept of the vampire as a tragic, almost sympathetic figure. Carmilla is both predator and victim, a character who evokes both fear and pity. Her relationships are complex, marked by tenderness and manipulation, love and death. This nuanced portrayal added layers of depth to the vampire mythos, paving the way for future explorations of the vampire as a symbol of forbidden desire and the darker aspects of human nature. Psycho-Sexual Themes: Unveiling the Depths of Human Desire and Fear Carmilla is a masterful exploration of the human psyche, weaving together a complex tapestry of psycho-sexual themes that resonate not just within the confines of its gothic narrative, but also within the broader context of psychological and literary theory. These themes invite readers to delve into the interplay between desire, fear, and the unknown, revealing universal truths about human nature within an erotic undertone that continue to captivate audiences over a century after the story was first published. Seduction and Power, Control and Submission At the heart of Carmilla  lies a profound exploration of the dynamics of seduction and power, a theme that transcends the specific context of the story and speaks to universal aspects of human relationships. In the story, the relationship between Carmilla and Laura is one of intense attraction, but it is also marked by a complex power dynamic where Carmilla exerts a hypnotic control over Laura. Page from Carmilla, Restored Edition , available from Black Fern, an Imprint of Erosetti Press . This dynamic can be understood through the lens of psychoanalytic theory, particularly Sigmund Freud's concept of the libidinal economy , where power and desire are intertwined. Carmilla's dominance over Laura represents the seductive power of the id , the primal aspect of the human psyche that seeks immediate gratification. Laura, on the other hand, embodies the ego , struggling to mediate between the unconscious desires awakened by Carmilla and the moral constraints imposed by society. In the narrative, Laura's internal conflict is vividly depicted in her own words: “I experienced a strange tumultuous excitement that was pleasurable ever and anon mingled with a vague sense of fear and disgust” ( Chapter IV ). This quote encapsulates the dual nature of Carmilla's influence, where pleasure and fear are inextricably linked, reflecting the Freudian notion that the forbidden is often the most alluring. The power dynamics in Carmilla  also resonate with Michel Foucault's ideas on power and sexuality. Foucault argued that power is not merely repressive but also productive, shaping desires and identities. In Carmilla , the vampire's seductive power over Laura can be seen as a form of social control, where Laura's burgeoning sexual consciousness is both awakened and constrained by Carmilla's influence. This dynamic reflects the gothic tradition's preoccupation with the darker aspects of human nature, where the boundaries between affection and obsession, love and domination, are continually blurred. These themes of seduction and power dynamics are not confined to the Victorian era but are timeless elements of human relationships. The tension between control and submission, attraction and repulsion, is a universal aspect of eroticism that continues to resonate with readers today. Carmilla  captures these dynamics with a sensuality that transcends its historical context, making it a work that speaks to the enduring complexities of human desire. Lesbian Desire: Familiar and Unsettling Lesbian desire in Carmilla   is a central theme that challenges the heteronormative expectations of its time, offering a subversive exploration of female sexuality. The relationship between Carmilla and Laura is marked by an intense, almost predatory attraction, where the lines between love and consumption are continually blurred. This theme can be understood through the concept of the uncanny  as articulated by Freud, where the familiar becomes strange and frightening. Carmilla's affection for Laura is both deeply intimate and profoundly unsettling, embodying the uncanny nature of forbidden desire. The erotic tension between the two women is palpable, creating a sense of unease that permeates the narrative. Freud's theory of the Oedipal complex  also provides insight into the dynamics of lesbian desire in Carmilla . While traditionally applied to heterosexual relationships, the Oedipal complex can be reinterpreted in the context of same-sex desire, where Carmilla represents both a maternal figure and a sexual partner. This duality is evident in the way Carmilla's affection oscillates between nurturing and predatory, reflecting the ambivalence that often characterizes forbidden desire. Page from Carmilla, Restored Edition , available from Black Fern, an Imprint of Erosetti Press . The eroticism of lesbian desire in Carmilla  is not merely a matter of physical attraction but is deeply psychological, exploring the complexities of female identity and sexual awakening. Carmilla's love for Laura is possessive and consuming, as seen in her declaration: “You are mine, you shall be mine, and you and I are one for ever” ( Chapter IV ). This possessiveness speaks to the fear of loss and the desire for complete union, themes that resonate with the broader gothic exploration of love and death. Judith Butler's theory of gender performativity  further enriches the understanding of lesbian desire in Carmilla . Butler argued that gender is not a fixed identity but a performance, shaped by cultural norms and expectations. In Carmilla , the fluidity of gender roles and the subversion of traditional femininity challenge the rigid binaries of Victorian society. Carmilla's androgynous allure and her refusal to conform to conventional gender roles make her a symbol of sexual and psychological freedom, albeit one that comes at a cost. The themes of lesbian desire and gender fluidity in Carmilla  are not confined to the historical context of the story but are universal explorations of the complexities of human sexuality. The sensuality and eroticism in Carmilla  transcend its time, making it a timeless work that continues to resonate with readers who are drawn to the deeper, often unsettling aspects of desire and identity. Dark Mirrors of the Double: Self and the Other The theme of the double  in Carmilla  is a powerful exploration of the uncanny, where the self is confronted with its dark reflection. This theme is rooted in the gothic tradition of doppelgängers and split identities, where characters are haunted by their own repressed desires and fears. In Carmilla , the protagonist Laura and the vampire Carmilla are doubles of each other, reflecting the duality of human nature. Carmilla represents the darker, unconscious aspects of Laura's psyche, embodying the desires and fears that Laura cannot fully acknowledge. This doubling is evident in the way Laura is simultaneously drawn to and repelled by Carmilla, as she struggles to reconcile her attraction with her moral and social conditioning. This theme resonates with the Jungian  concept of the shadow , where the double represents the repressed aspects of the self that must be confronted in order to achieve psychological wholeness. Carmilla, as Laura's shadow, forces her to confront her own forbidden desires, leading to a profound psychological transformation. This process of integration is painful and terrifying, reflecting the gothic tradition's focus on the darker aspects of the human psyche. Page from Carmilla, Restored Edition , available from Black Fern, an Imprint of Erosetti Press . The uncanny nature of the double in Carmilla  is also reflected in the story's setting, where the decaying schloss and the shadowy forest serve as external manifestations of Laura's internal turmoil. The gothic landscape mirrors the characters' psychological states, creating an atmosphere of dread and fascination. As Laura herself notes, “I felt my heart grow sick and faint, and I cried aloud in a sudden agony of terror” ( Chapter XI ). This quote captures the terror of confronting the unknown aspects of the self, a theme that is central to both gothic literature and psychoanalytic theory. The double in Carmilla  also speaks to the theme of identity and alienation , where the self is fragmented and estranged from its own desires. This theme resonates with existentialist ideas, particularly those of Jean-Paul Sartre, who argued that identity is fluid and constructed through the gaze of the Other. In Carmilla , Laura's identity is shaped by her relationship with Carmilla, who serves as both a mirror and a distortion of her own self-image. This interplay between self and Other creates a sense of alienation and dislocation, reflecting the gothic tradition's exploration of identity and madness. The exploration of the double and the uncanny in Carmilla  taps into universal fears and desires, making it a timeless reflection on the human condition. The sensual and erotic elements of this theme enhance its appeal, drawing readers into a world where the boundaries between self and other, attraction and repulsion, are continually blurred. Fear of the Unknown: The Abyss of the Unconscious Fear of the unknown is a driving force in Carmilla , reflecting the gothic tradition's fascination with the mysterious and the supernatural. This theme is not just about the fear of the external world but also about the fear of the unknown depths of the human psyche. In the story, Laura's descent into the mystery of Carmilla's true nature is a metaphor for the exploration of the unconscious mind. This journey is both terrifying and exhilarating, as Laura confronts the forbidden desires and impulses that Carmilla awakens within her. The fear of the unknown is not just about the supernatural but about the fear of one's own hidden desires and fears. Freud's theory of the unconscious  provides a framework for understanding this theme. The unconscious mind, according to Freud, is the repository of repressed desires, fears, and memories that shape our behavior and perceptions. In Carmilla , the vampire serves as a manifestation of the unconscious, embodying the desires and fears that Laura cannot fully acknowledge. This fear is evident in Laura's reflections: “I was now for the first time frightened, and I yelled with all my might and main” ( Chapter I ). This quote captures the terror of confronting the unknown aspects of the self, a theme that is central to both gothic literature and psychoanalytic theory. The fear of the unknown in Carmilla  also resonates with existentialist ideas, particularly those of Søren Kierkegaard, who explored the concept of angst  or existential dread. Kierkegaard argued that fear of the unknown is a fundamental aspect of the human condition, reflecting our awareness of the vast, incomprehensible aspects of existence. In Carmilla , Laura's fear is not just of Carmilla herself but of the unknown, the abyss that lies beyond the boundaries of rational understanding. The story's gothic setting amplifies this fear, with the decaying mansion and shadowy forest serving as symbols of the unknown and the uncanny. These settings create an atmosphere of dread and anticipation, where the boundaries between reality and fantasy, the known and the unknown, are continually blurred. This blending of the familiar and the strange is a hallmark of the gothic tradition, reflecting the psychological tension between order and chaos, reason and madness. Page from Carmilla, Restored Edition , available from Black Fern, an Imprint of Erosetti Press . The theme of fear of the unknown in Carmilla  is a timeless exploration of the human psyche, where the terror of the unfamiliar is intertwined with the allure of the forbidden. The sensuality and eroticism that pervade this theme make it a compelling and universal reflection on the darker aspects of desire and fear. Death and the Erotic: The Dance of Eros and Thanatos The intertwining of death and eroticism is a central theme in Carmilla , reflecting the gothic tradition's fascination with the macabre and the seductive. In the story, the vampire's kiss is both a seduction and a death sentence, blurring the lines between love and destruction. This theme can be understood through Freud's concept of Eros  and Thanatos , the life and death drives that shape human behavior. Eros represents the drive for life, love, and creativity, while Thanatos represents the drive for death, destruction, and entropy. In Carmilla , these drives are intricately linked, with the vampire's love for Laura embodying both the desire to possess and the impulse to destroy. Carmilla's affection for Laura is marked by a predatory intensity, where the act of seduction becomes a form of psychological manipulation. This dynamic reflects the gothic tradition's exploration of the darker aspects of love, where the boundaries between pleasure and pain, attraction and repulsion, are continually blurred. As Laura notes, “Her murmur had hardly ceased when I heard one of those horrible long hisses that ran through every nerve in my body” ( Chapter XI ). This quote captures the fear that underlies their love, a fear that is inextricably linked to the danger Carmilla represents. The eroticism of death in Carmilla  also resonates with Georges Bataille's ideas on eroticism and transgression . Bataille argued that eroticism is inherently linked to death and the transgression of social boundaries, where the experience of pleasure is intensified by the proximity to danger and destruction. In Carmilla , the vampire's love is both beautiful and terrifying, embodying the paradoxical nature of erotic desire, where the drive for life is inseparable from the drive for death. The theme of death and the erotic in Carmilla  also speaks to the gothic tradition's exploration of mortality and the sublime . The vampire, as a creature that exists on the boundary between life and death, embodies the tension between the temporal and the eternal, the corporeal and the spiritual. This tension is evident in Carmilla's interactions with Laura, where love is portrayed as both a transcendent experience and a descent into the abyss. Laura's reflections on death are poignant: “Girls are caterpillars while they live in the world, to be finally butterflies when the summer comes; but in the meantime there are grubs and larvae—don’t you see—each with their peculiar propensities, necessities, and structure” ( Chapter VIII ). This metaphor captures the transformation that death brings, a theme central to the gothic exploration of mortality. The combination of death and the erotic in Carmilla  creates a narrative that is both seductive and horrifying, drawing readers into a world where love, fear, and death are eternally intertwined. This theme resonates with the broader human experience, where the desire for connection is often shadowed by the fear of loss, and where the pursuit of pleasure is haunted by the specter of death. The exploration of death and eroticism in Carmilla  is a timeless reflection on the human condition, where the sensuality of desire is inextricably linked to the inevitability of mortality. The erotic power of this theme continues to captivate readers, making Carmilla  a work that transcends its historical context to speak to universal aspects of love, fear, and death. The Awakening: Laura’s Journey into Darkness Carmilla  can also be seen as a story of awakening, where Laura’s journey mirrors a descent into the darker aspects of her own psyche. Throughout the narrative, Laura grapples with her attraction to Carmilla, her fear of the unknown, and the realization of the true nature of her feelings. This awakening is both sexual and psychological, marking a loss of innocence and a confrontation with the darker sides of desire and identity. Laura’s journey is one of self-discovery, where she must come to terms with the forbidden desires that Carmilla awakens within her. This process is both terrifying and exhilarating, reflecting the gothic tradition of exploring the limits of human experience. Laura’s awakening is not just about her relationship with Carmilla, but about her own transformation into a more complex, self-aware individual. The theme of awakening in Carmilla  is a timeless exploration of the human psyche, where the sensual and erotic aspects of desire are intertwined with the journey of self-discovery. This theme continues to resonate with readers who are drawn to the deeper, often unsettling aspects of personal transformation. The Restored Edition from Black Fern This restored edition of Carmilla , complete with original and period illustrations, offers a unique and immersive experience for readers. The carefully curated artwork enhances the gothic ambiance of the story, providing visual context to Le Fanu’s haunting prose. Each illustration captures the eerie beauty of the settings and characters, drawing the reader deeper into the shadowy world of Styria. Carmilla, Restored Edition , available from Black Fern, an Imprint of Erosetti Press . This edition is more than just a reproduction; it is a masterpiece that offers a richer, more immersive reading experience. The combination of text and imagery allows readers to engage with the story on multiple levels, making it a must-have for any lover of gothic literature or vampire fiction. The restored edition of Carmilla  is a testament to the enduring power of Le Fanu’s work, offering insights as profound today as they were over a century ago. Black Fern is an imprint of Erosetti Press . Timeless Erotic Exploration of Love, Fear, and Death Carmilla remains one of the most powerful and provocative erotic works in gothic literature, offering a timeless exploration of the human psyche, the complexities of desire, and the dark allure of the supernatural within the vampire genre. Its groundbreaking portrayal of lesbian attraction and its innovative approach to vampire lore make it a cornerstone of the genre, influencing countless works that followed. Welcome to the world of... Carmilla, A world where love, fear, and death are eternally intertwined. This restored edition of Carmilla  is a treasure for any personal library, a work of art that captures the haunting beauty and psychological depth of Le Fanu’s masterpiece. Whether you are a longtime fan of gothic literature or new to the genre, Carmilla  is a story that will captivate, disturb, and linger in your mind long after the final page is turned. ©️ Dante Remy 2024 Learn more: Carmilla , Restore Edition published by Black Fern, an imprint of Erosetti Press .

Dante Remy | Desire needs a structure. Passion needs a container. Without them, both dissipate into nothing. Every third Wednesday, a couple meets in the space between the known and the unknown, between structure and spontaneity. They plan, meticulously clearing their schedules, ensuring that nothing interferes. They have only one rule: it must be something they’ve never tried before. What happens next is not chaos—it is ritual. In Date Night , I set out to explore something fundamental about human nature: our need for both boundaries and freedom, our craving for both power and surrender. In the realm of the sexuality, these dualities are often misunderstood, reduced to tropes, feared as taboos. But in truth, they are the scaffolding of our deepest desires. The story unfolds in a deliberately poetic, minimalist style—a form dictated by its subject. Short, clipped lines, rhythmic and pulsing, mirror the ebb and flow of tension and release. The prose is stripped down, leaving only what matters, much like desire itself. And accompanying the story are the illustrations of Reina Canalla—stark, provocative, dripping with shadows and intimacy. Each line she draws captures more than just bodies in motion; they capture the psychology of the moment, the unspoken power exchanges, the delicious uncertainty of trust placed in another’s hands. This is not just a story of sex. It is a story of trust. Ritual of An Erotic Date Night: Pathway to Liberation At first glance, the idea of a scheduled, structured erotic encounter might seem counterintuitive. Shouldn’t passion be wild, spontaneous, uncontained? Yet, paradoxically, it is within structure that true freedom emerges. For the couple in Date Night , ritual is not a constraint; it is an opening. It allows them to step outside of societal norms, to explore fantasies that, in the absence of structure, might feel too dangerous, too exposed. The rule that every encounter must be new forces them into continual reinvention. It ensures that neither partner ever grows complacent, that desire remains a living thing—an animal to be fed, nurtured, and sometimes, unleashed. "You made me wait, and that meant you were going to give me an experience." Anticipation is its own form of seduction. It heightens sensation, rewires the mind to focus not on what is  but on what is about to be.  Neuroscientists have long understood that the brain craves novelty, that anticipation itself releases dopamine, the neurotransmitter of pleasure. And so, the characters wait. They tease. They plant objects like talismans—symbols of what is to come. A rope, a cock ring, a set of sharpened nails painted red. These are not just tools of pleasure; they are harbingers of transformation. The Psychological Dance of Power and Surrender "Last month, it was your turn: Restraint and deprivation. You took the lead. You didn’t have to." Desire is often about power—not in the way society narrowly defines it, but in the way it exists within the intimacy of trust. To surrender to another person is not weakness; it is an act of strength. It is to say: I trust you with my body, with my limits, with the boundaries I don’t yet know I have.  It is an offering, a deliberate relinquishing of control, which paradoxically requires more agency than simply taking what one wants. And in turn, to take control—mindfully, responsibly—is an act of care. It requires deep listening, a heightened awareness of the other person’s body, breath, responses. The words and Canalla’s illustrations are an attempt to capture this duality. Words and art commingle to portray dominance not for its own sake, nor submission as mere passivity. It is about the tension between the two, the way bodies yield and push back, the silent conversation happening beneath the surface of touch. The Role of Sensory Deprivation and Focus "You tied me to the dining room table. You blindfolded me. You played soft classical music in my ears, severing me from the outside world." Sensory deprivation is not just a technique; it is a gateway. By removing one sense, the others become sharper. Deprived of sight, the protagonist’s body turns inward, attuned only to the sensations playing across her skin. The music isolates her further, trapping her in the moment, in the rising crescendo of her own need. This is not just about physical pleasure. It is about mindfulness, about being entirely present in a way modern life rarely allows. How often do we truly inhabit our bodies? How often do we feel without distraction? In a world of endless notifications, of screens and scrolling, this kind of embodied awareness is an act of defiance. Erotic Creativity and the Infinite Game of Desire What makes desire last? What prevents intimacy from fading into routine? The answer is creativity. Date Night is not just about sex; it is about storytelling. Each encounter is a scene, carefully crafted, with its own arc, its own symbols and motifs. The objects left out before the night begins are more than props; they are foreshadowing. The withholding of release is not just teasing; it is narrative suspense. The characters are, in a sense, authors of each other’s pleasure. They do not simply act; they create . They use anticipation, suggestion, even denial as tools—not to withhold pleasure, but to expand it. As the story builds to its climax, the power shifts, reverses, loops back again. And by the end, both characters are transformed, not just by the acts themselves, but by the psychological terrain they have traversed together. Why We Read Erotica (and Why We Need It) What draws us to erotic stories? Is it voyeurism? Escapism? Fantasy? Or is it something deeper? Erotica, I believe, is not just about titillation. It is about unveiling something raw, something true. It speaks to the parts of ourselves we keep hidden, the desires we struggle to name. It asks us to confront what we want—and why. In Date Night , the prose is sparse, the details distilled to their essence. This is deliberate. Just as the characters focus only on what is happening in the moment , the reader is given only what they need. There is no clutter, no excess. Only sensation. Only need. And in that simplicity, the story becomes universal. Because Date Night   is not just about this couple. It is about all of us. It is about the choices we make—whether to settle into routine or to push the boundaries of pleasure. Whether to speak our desires or keep them locked away. Whether to surrender, fully, to the moment—or let it slip by. This is the question at the heart of the story: What would you do, if you had one night a month to explore the limits of your desire? An erotic date night. And more importantly— What are you waiting for? ©️ 2024 Dante Remy Explore this book and more at Erosetti Press .

Dante Remy | Reina Canalla’s newest erotic comic, Mademoiselle D’Artagnan: One For All and All For Me, Book I , has burst onto the scene as a trailblazing addition to the erotic comic genre. Canalla reimagines Alexandre Dumas’ classic The Three Musketeers  with an audacious, sensual twist, bringing to life Mlle. D’Artagnan—a fearless libertine heroine who unapologetically challenges societal norms. This work is not just a retelling; it’s a revolutionary exploration of passion, freedom, and female empowerment through the lens of erotic art. A Libertine Lens on a Classic Drawing inspiration from Dumas’ legendary tale of camaraderie, honor, and personal sacrifice, Canalla crafts a narrative that explores themes of liberation and forbidden desire. In The Three Musketeers , Dumas presented characters who were defined by their loyalty, their ambitions, and their deep flaws. Mlle. D’Artagnan embodies these very traits, but through a uniquely feminine and sensual perspective. Her daring exploits echo the musketeers’ boldness, but her quest for pleasure and freedom adds a compelling layer of complexity to her character. The adventures of Mlle. D’Artagnan are steeped in sensuality, blending the musketeers’ camaraderie with moments of intense, erotic connection. Just as Dumas’ characters often found themselves caught between duty and personal desire, Mlle. D’Artagnan navigates a world where societal expectations clash with her pursuit of autonomy and fulfillment. This bold reinterpretation emphasizes the often-overlooked emotional and physical desires of women, transforming a traditionally male-dominated narrative into a celebration of feminine strength and sexuality. Introducing “Sapphotica”: A New Feminine Defiance Reina Canalla’s work is a cornerstone of a burgeoning movement championed by Erosetti Press: Sapphotica . This category celebrates art and literature that unapologetically depicts women as central, sensually and erotically free, and gloriously defiant. Mlle. D’Artagnan embodies this ethos, standing as a testament to Canalla’s commitment to portraying women as complex, empowered beings. In the context of Sapphotica , Mlle. D’Artagnan’s escapades are more than erotic interludes; they’re acts of rebellion against societal constraints. Her experiences highlight the beauty and complexity of feminine desire, embracing the “forbidden” fantasies that many women harbor but rarely see reflected in art. This bold approach not only redefines erotic storytelling but also champions a more inclusive and authentic portrayal of women’s sexuality. A Personal Touch: The Fantasies Behind the Story Canalla’s creative process is deeply personal, as she draws from her own fantasies and explores themes that resonate with women everywhere. Her vision of Mlle. D’Artagnan—a young libertine in Baroque Paris—is rooted in the universal yearning for freedom and self-discovery. By separating sex from love and then intertwining them in unexpected ways, Canalla crafts scenarios that challenge conventions and ignite the imagination. Just as Dumas’ musketeers were driven by ideals of justice and loyalty, Mlle. D’Artagnan is propelled by her own ideals: the pursuit of pleasure, independence, and authenticity. Her escapades reflect the internal struggles and triumphs of those who dare to break free from societal norms. By incorporating elements such as open relationships, polyamory, domination, and even the allure of impossible relationships, Canalla’s storytelling taps into the forbidden desires that society often compels women to suppress. This sincerity and authenticity make Mademoiselle D’Artagnan   a groundbreaking work in the realm of erotic comics. Why Mademoiselle D'Artagnan  Matters The importance of Canalla’s work extends beyond its erotic appeal. In a genre often dominated by male creators and perspectives, Mademoiselle D’Artagnan  offers a refreshing and empowering alternative. Canalla’s ability to weave humor, intrigue, and sensuality into her narratives elevates erotic comics to a new level, making them accessible, thought-provoking, and deeply satisfying. Mlle. D’Artagnan is a heroine for our times—fearless, seductive, and utterly captivating. Her story invites readers to embrace their own desires, to defy societal constraints, and to revel in the joy of being unapologetically themselves. Much like Dumas’ musketeers, she is flawed but noble in her pursuit of a life defined on her own terms. Canalla’s audacious vision ensures that her work will be celebrated not just as erotic art but as a powerful statement about the beauty of feminine defiance and freedom. Experience the Magic of Reina Canalla Step into the world of Mademoiselle D’Artagnan  and discover a tale that will ignite your imagination and awaken your desires. Mademoiselle D’Artagnan: One For All and All For Me, Books I is available now at Erosetti Press , the home of Sapphotica  and other groundbreaking works by Reina Canalla, including her celebrated Anne-Marie  series. Learn more about Reina Canalla and explore her provocative art and storytelling at her official website . Dare to indulge in the forbidden—your journey begins here. ©️ 2025 Dante Remy

Dante Remy | The Mysteries, illustrations by Apollonia Saintclair Erotic fiction holds a unique power to take readers down new roads of self discovery. At its best, it does not merely titillate—it confronts, provokes, and transforms. Writing The Mysteries: Pain & Pleasure within the Convent Walls was such a journey into sapphic eroticism. It was my attempt to blend such elements, to create something that transcends boundaries while remaining rooted in profound human truths. Partnering with the enigmatic illustrations of Apollonia Saintclair, I sought to craft a work that invites readers to explore the uncharted intersections of faith, desire, pain, and transcendence. When I first came across the lost writings of Elisabeth Coote, I felt an immediate pull. These papers had not seen the light of day for over a century, a discovery I have written more extensively about in the book's introduction. Here was a sapphic voice from the late 19th century, buried beneath layers of scandal and repression, whispering truths that demanded to be heard. Elisabeth’s story—and that of Sister Lucille within the Convento di Santa Voluttà—was not just erotica; it was an invocation, a prayer to the body and the spirit to reconcile their eternal dance. The Profound Rediscovery of The Writings My journey began in a dusty archive in Monteconvento, Sicily, where I uncovered manuscripts penned by Elisabeth Coote—an Englishwoman exiled from her homeland in the 1880s. Her writings detailed her time among the secluded nuns of Santa Voluttà, a convent that existed on the razor’s edge between spiritual devotion and carnal exploration. As I read her words, I was struck by their audacity. Coote’s narrative was raw and unapologetic, sharing in details the bonds of female eroticism, her descriptions of rituals both explicit and sacred. She wrote: The Mysteries, illustrations by Apollonia Saintclair In the union of flesh and faith, I have found the divine. Each strike upon my skin was a prayer, each cry from my lips a hymn. The body is not a barrier to the sacred; it is the bridge. These words resonated with me, as they speak to the core of what erotic fiction can achieve—an unflinching acknowledgment of our humanity and our yearning for transcendence. I knew I was holding the pages of much more than erotic musings. Elisabeth writes in unflinching detail, often depicting shocking rituals that challenge conventions even today. I immediately committed myself to transcribing, organizing, and weaving together the story of the young novitiate nun Lucille and the glory of her sexual and spiritual awakening. The Mysteries of Submission and Surrender The Mysteries, illustrations by Apollonia Saintclair At the heart of this work lies the “Mysteries,” a series of sacred rites that Sister Lucille must endure to unlock her spiritual and sensual potential. These ten rituals—Submission, Obedience, Ritual, Discipline, Sacrifice, Atonement, Purity, Temptation, Redemption, and Transcendence—are not just acts of the body but transformations of the soul. In the chapter on Submission, Lucille reflects: I knelt before Mother Superior, trembling not with fear but with anticipation. Her voice, sharp yet tender, cut through my doubts. ‘To give yourself completely, Lucille, is to find your strength in the hands of another. It is only by yielding that you will learn what it means to truly belong.' These words frame the central paradox of the story: that surrender is not weakness but a form of empowerment. Lucille’s journey through submission reveals the strength it takes to trust, to let go, and to embrace the unknown. Eroticism as Sacred Exploration The Mysteries, illustrations by Apollonia Saintclair One of the most provocative aspects of The Mysteries is its portrayal of eroticism not as base indulgence but as a sacred practice. The nuns of Santa Voluttà engage in rituals that blend physical pleasure with spiritual devotion, challenging societal taboos and inviting readers to reconsider the boundaries of faith and flesh. During the Festival of Redemption, Lucille becomes the embodiment of the Virgin in a ceremony that is both shocking and profound. She describes: Bound and exposed, I felt the jeweled phallus press into me, its cold surface a jarring contrast to the heat rising within me. The chants of the nuns swelled around us, their voices lifting me higher, until the moment of release became a prayer unto itself. In that instant, I was not myself; I was the vessel through which divinity and desire converged. Scenes like this are designed not merely to provoke but to illuminate. They remind us that the erotic is not antithetical to the sacred—it is an integral part of it. Reimagining Pain and Pleasure Throughout the narrative, the interplay of pain and pleasure is a recurring theme. The convent’s rites use pain as a tool for purification and enlightenment. In one particularly vivid passage, Lucille reflects on her initiation: The whip sang through the air, a lover’s cruel serenade. Each strike stripped me bare, not just of my habit but of my doubts, my fears. Pain became a doorway, and through it, I stepped into a realm where my body and soul were one, where suffering became transcendence. The psychosexual elements of the story are deliberate, drawing on historical practices of mortification and the psychological theories of masochism as a path to transformation. The Mysteries, illustrations by Apollonia Saintclair Why set such a narrative within the walls of a convent? Because the convent’s isolation allows for a reimagining of societal structures. Here, women reclaim their agency, redefine their relationships, and explore their desires without the constraints of patriarchal expectations. The sisterhood within Santa Voluttà is as much about solidarity as it is about submission. Lucille’s reflections capture this beautifully: In their touch, I found not just pleasure but belonging. These women, who wielded the whip and whispered words of comfort, were my guides, my companions, my sisters. Together, we forged a bond that no man could break, a bond sanctified by the rituals of our shared surrender. A Literary and Artistic Achievement Collaborating with Apollonia Saintclair was one of the most rewarding aspects of creating this book. Her stark, evocative illustrations capture the duality of austerity and indulgence that defines the convent’s world. Each image feels like an extension of the narrative, a visual hymn to the themes of the story. One particularly striking illustration accompanies the chapter on Atonement. It depicts a young nun, her body arched in both pain and ecstasy, framed by candlelight and shadows. The image is haunting, reminding readers that transcendence often comes at a cost. The Importance of These Writings: The Mysteries Erotic fiction has long been relegated to the fringes, dismissed as mere escapism. Indeed, these writings were kept hidden for a century, deemed too scandalous for the eyes of the world. But The Mysteries seeks to challenge that notion. This is not just a story of desire; it is a story of discovery, of breaking free from societal constraints, and of embracing the full spectrum of human experience. The Mysteries, illustrations by Apollonia Saintclair In writing this book, I hoped to reflect the sapphic essence of these found writings and to spark a conversation about the sacredness of the erotic. As Lucille’s journey demonstrates, desire is not something to be feared or suppressed—it is something to be explored, celebrated, and sanctified. Sister Lucille herself declares: In the arms of my sisters, I found the courage to face myself. In their rituals, I found the strength to surrender. And in my surrender, I found the divine. The Mysteries is more than a novel; it is an invitation—to step beyond the veil of convention, to confront the complexities of faith and flesh, and to embrace the transformative power of desire. It challenges us to see the erotic not as separate from the sacred but as an essential part of it. For those willing to take the journey, this book offers not just a story but an awakening. It is a testament to the courage it takes to face our deepest desires and the truths that lie within them. ©️ 2025 Dante Remy Are you ready to explore the sapphic, the sacred and the profane, the pain and the pleasure, the body and the soul? The Mysteries: Pain & Pleasure within the Convent Walls is available now through Black Fern , an imprint of Erosetti Press to learn more and to order your copy; or, find in it on Amazon in hardcover and paperback . Learn more about the author and artists, Dante Remy and Apollonia Saintclair on their creator websites. The Mysteries by Dante Remy, illustrations by Apollonia Saintclair

| Dante Remy "Fetishism, far from being a perversion, reveals the interplay of the symbolic and the imaginary." — Jacques Lacan Bear X’s Bound by Shadows , a new art book published by Erosetti Press , is far more than a coffee table book—it is an evocative journey into the beautifully strange and erotic recesses of human imagination. This 96-page collection is a visual feast, embracing themes of sensuality, fetish, and fantasy through a masterful use of mixed media, bold colors, and intricate detail. For anyone intrigued by the intersection of art, psychology, and the taboo, this book is a must-have. A Symphony of Colors and Mediums From the moment you open Bound by Shadows , you are struck by Bear X’s use of vibrant red as a dominant motif, offset by stark blacks and whites. These colors evoke a visceral response, symbolizing passion, power, and vulnerability in a way that feels both primal and sophisticated. The artist’s skillful blend of pencil, ink, watercolor, and acrylic brings texture and depth to each piece, making every page feel alive with emotion. The bold use of color contrasts with the fine, almost delicate line work, creating a tension that mirrors the themes of power dynamics, submission, and liberation explored in the art. This interplay of soft and strong, light and shadow, draws the viewer into a deeper contemplation of the imagery and its underlying meanings. Themes That Liberate and Challenge At its core, Bound by Shadows is about exploring the boundaries of human desire. The images depict moments of intimacy, vulnerability, and power, often inspired by mythology, literature, and fetish culture. Through these works, Bear X invites viewers to confront their own perceptions of sexuality and the taboos surrounding it. The psychological impact of the art cannot be understated. By presenting themes of dominance, submission, and fantasy in such a visually compelling way, the book challenges viewers to consider their own relationships with control, desire, and identity. It’s not just about looking at the images; it’s about feeling them—and perhaps, seeing yourself in them. The Liberating Power of Art Bound by Shadows doesn’t merely showcase fetish and fantasy—it elevates them. Each piece speaks to the universality of human desires while celebrating individuality. The art doesn’t shy away from vulnerability or strength; instead, it revels in the tension between them. For the viewer, this creates a liberating experience, one that encourages self-reflection and the embracing of one’s own complexities. Bear X’s inspirations, ranging from mythology to pop culture, bring a timeless quality to the work. These elements remind us that the exploration of eroticism and fantasy has long been part of human expression, and that embracing these themes is not only natural but profoundly human. A Conversation Starter As a coffee table art book, Bound by Shadows is the ultimate conversation piece. Its provocative imagery is sure to ignite discussions about art, society, and the ways we express and understand human desire. Bear X’s art is both accessible and daring, making it a perfect entry point for those new to exploring these themes, as well as a rich source of inspiration for longtime enthusiasts. The book’s blend of bold visuals and psychological depth makes it more than just a collection of images—it’s an invitation to question, to feel, and to connect. Whether it sparks debates or quiet moments of introspection, Bound by Shadows ensures that it will not go unnoticed. Why You Need This Book Whether you’re a collector, an art enthusiast, or someone looking to deepen your understanding of erotic art and its psychological layers, Bound by Shadows is a worthy investment. It’s not just a book—it’s an experience, a challenge, and an invitation to embrace the beautifully strange facets of human nature. Place this book on your coffee table and let it do what great art does best: provoke thought, stir emotion, and inspire conversation. In the hands of Bear X, the erotic becomes elevated to something transcendent—an exploration of the shadows where desire and fantasy meet, and where imagination knows no bounds. Look inside the book and explore Bound by Shadows: The Fetish & Fantasy Art of Bear X at Erosetti Press . ©️ 2024 Dante Remy

Dante Remy | When The Convent School was first published in 1898, it sent shockwaves through Victorian society. Written by Rosa Belinda Coote, this provocative and unapologetically explicit tale was more than just a work of erotica—it was a bold challenge to the rigid moral codes of the time, introducing fetish and BDSM at the hands of nuns and the sacred convent. For over a century, this story has continued to captivate readers, not just for its sensual content, but for its daring exploration of power dynamics, sexuality, and the darker sides of human desire. Now, with the release of The Convent School: The Restored Edition , complete with a foreword by Dante Remy and twenty original period illustrations, we have the chance to revisit this seminal work and examine its lasting impact on the genre of erotic literature. A Controversial Beginning: The Shock of Publication At the time of its release, The Convent School  was privately printed, a common practice for works that skirted the boundaries of acceptability. Victorian society was outwardly conservative, with strict rules governing not just public behavior but the very thoughts and desires that people were allowed to entertain. Against this backdrop, T he Convent School   emerged as a stark and unflinching examination of the very taboos society sought to suppress. The story of Lucille—a young girl subjected to harsh discipline, sexual awakening, and the abuses of power—was not just shocking; it was revolutionary. The narrative broke down the walls of societal repression, exposing the raw and unfiltered desires that lay just beneath the surface. It dared to suggest that beneath the veneer of morality, there existed a complex web of power, pain, and pleasure that drove human behavior in ways that society was unwilling to acknowledge. Themes of Eroticism: A Psycho-Sexual Exploration At its core, The Convent School   explores five central themes of eroticism, each interwoven with the psycho-sexual dynamics that make the story as relevant today as it was over a century ago. These themes—discipline and submission, the power of the forbidden, the awakening of sexual identity, the intersection of pain and pleasure, and the subversion of authority—are not just narrative elements; they are the very essence of what makes this work a masterpiece of erotic literature. The first and most prominent theme is discipline and submission . From the very beginning, Lucille is subjected to strict and often brutal forms of discipline, particularly at the hands of her governess, Miss Birch. The ritualistic use of corporal punishment is portrayed not just as a means of correction, but as a method of controlling and shaping desire. Lucille’s submission is not merely imposed upon her—it is something she internalizes and, over time, comes to crave. This dynamic reflects a deep psycho-sexual process where control and punishment become intertwined with arousal and desire. In Lucille’s world, the anticipation of pain heightens the pleasure of submission, creating a complex and often contradictory emotional experience that drives much of the narrative. The power of the forbidden  is another theme that resonates throughout the story. The convent, ostensibly a place of sanctity and purity, becomes the setting for the most illicit acts of sexual exploration and punishment. The psycho-sexual charge of engaging in forbidden acts—whether they are sexual encounters with other girls or the enforced punishments by the nuns—creates an erotic tension that is both thrilling and terrifying. The allure of the forbidden lies in its very nature; what is socially or morally off-limits becomes all the more desirable. This tension between repression and desire is a key element of the story’s eroticism, drawing readers into a world where boundaries are constantly pushed and transgressed. As Lucille navigates this world, she undergoes the awakening of her sexual identity . Her journey from a naïve girl to a woman fully aware of her desires is central to the narrative. Each encounter, whether it is the harsh punishment from Miss Birch or the seductive manipulations of the Lady Superior, brings Lucille closer to an understanding of her own sexuality. This awakening is fraught with both fear and excitement, as Lucille learns to reconcile her emerging desires with the strictures of the society that seeks to control her. The process of discovering and embracing her sexual identity is not just a physical journey, but a psychological one as well, reflecting the complex interplay between power, submission, and the body’s responses to these forces. Perhaps the most provocative theme in the story is the intersection of pain and pleasure . Throughout The Convent School , pain is not simply a negative force; it is an integral part of the erotic experience. The vivid depictions of corporal punishment—whether it is the stinging cuts of the birch rod or the humiliation of exposure—serve to blur the lines between pain and pleasure. This theme speaks to the psycho-sexual dynamics of masochism, where pain is not just endured, but is transformed into a source of intense pleasure. Lucille’s reaction to her punishment—both dreading and longing for it—captures the essence of this dynamic, where suffering becomes a pathway to erotic fulfillment. Finally, the subversion of authority  emerges as a powerful and often disturbing theme. The authority figures in Lucille’s life—her father, Miss Birch, and the Lady Superior—use their positions not to protect or guide her, but to fulfill their own desires. The psycho-sexual dynamics at play here involve the eroticization of power, where those in control derive pleasure from dominating and exploiting those under their care. Lucille’s experiences in the convent, where the Lady Superior’s advances are both seductive and predatory, reveal the dark undercurrents of power and control that drive the narrative. This theme is a stark commentary on the ways in which authority can be twisted and perverted, turning institutions of care into arenas of exploitation and abuse. The Enduring Impact of The Convent School What makes The Convent School   such an enduring work of erotic literature is its unflinching exploration of these themes, all of which remain relevant in contemporary discussions of sexuality and power. The story forces readers to confront the uncomfortable truth that desire is often complex, contradictory, and driven by forces that lie beyond the control of societal norms. The narrative challenges the notion that sexuality can be neatly categorized or contained, instead presenting it as a force that is as dark and dangerous as it is liberating and pleasurable. In one of the most telling quotes from the story, Lucille reflects on her experiences: I was choked and remember no more except that on recovering consciousness, the supposed Confessor Francisco was dressed as a gentleman, and I immediately recognized him as my husband as at the same instant he exclaimed, "Woman, my revenge is complete." This moment of brutal revelation encapsulates the depth of betrayal and the perverse intertwining of power, control, and sexuality that defines her tragic journey. Lucille’s suffering is not just physical but deeply psychological, as those she once trusted manipulate her vulnerabilities, turning what should be acts of care into acts of domination and degradation. As we revisit T he Convent School  in this Restored Edition, complete with its original period illustrations, we are invited not only to experience the raw eroticism of Lucille’s journey but also to reflect on the deeper questions it raises about the nature of desire, control, and the human psyche. This work remains a landmark in the genre of erotic literature, not just for its explicit content, but for its daring exploration of the darker sides of human nature. In a world that continues to grapple with issues of power, repression, and sexual expression, The Convent School  stands as a powerful reminder of the complexities and contradictions that define our most intimate experiences. The legacy of The Convent School   is a testament to its ability to shock, seduce, and provoke thought. It is a work that compels us to look beyond the surface of erotic desire and into the depths of what drives us, challenges us, and, ultimately, reveals the most hidden aspects of our humanity. As a final meditation on the story of Lucille, we are left with a powerful message: Between power and desire, Pleasure and pain, Desire and fulfillment, Lies the true essence Of our erotic selves. Dante Remy ---- ©️ 2024 Dante Remy Explore The Convent School , Restored Edition and more classic and contemporary erotica from Black Fern, an imprint of Erosstti Press on its website .

Dante Remy | “Rope. You chose it for me so carefully. Thoughtfully. Even its color. You love the look of its deep red, Against my skin.” When writing " Rope ," I sought to explore the psychological landscape of desire, submission, and release in the context of a consensual, deeply intimate relationship. This story is a study in contrasts—of freedom within restraint, of finding oneself in the act of being bound, and of the profound depths of connection that can be achieved through surrender and control. Rope as a Symbol of Submission, Desire, and Control The story begins with the rope itself, a seemingly simple object imbued with layers of meaning. "Rope. You chose it for me so carefully. Thoughtfully." Here, the rope represents more than just a tool of restraint—it is a conduit for trust, intimacy, and mutual understanding. The care with which it was chosen speaks to the underlying respect and attention to detail that defines the relationship between the partners. The color of the rope—deep red—evokes feelings of passion, danger, and intensity. It is thick and soft, simultaneously offering comfort and restriction. As I wrote, “Its braids hold me tightly, firmly. Turns of the rope press into my skin, but never hurt.” This balance reflects the complex interplay between pleasure and pain, between the yearning for control and the desire to be controlled. From a psychoanalytic perspective, the rope symbolizes the tension between autonomy and submission that exists in every human relationship. The narrator's yearning to be bound is a manifestation of a deeper psychological need to surrender to the other, to feel safe within the boundaries set by a trusted partner. This surrender is not passive; it is an active choice, a gift of vulnerability that invites the partner to take control. The Need for Submission: A Desire for Release Throughout the story, the narrator's need for submission is palpable. "I need you to own me, And to give me everything I deserve." This statement reflects a profound psychological truth: the desire to be claimed, to be possessed, to be understood completely. In a world that often demands constant control, submission offers an escape—a way to relinquish the burdens of decision-making and responsibility. The narrator’s anticipation builds while waiting for the partner's return, fixated on the rope, the symbol of her desire. "I’ve stared at the bottom drawer for hours. That’s where the rope sits." The drawer becomes a symbol of her inner world, where desires and fantasies lie in wait, begging to be realized. The simple act of opening the drawer to retrieve the rope becomes a ritual in itself, a way of engaging with her longing. The rope’s presence and the act of placing it on the kitchen island demonstrate a subconscious plea for attention, a cry to be seen and taken. This longing reflects the universal human desire for connection and intimacy. The narrator does not want to simply satisfy herself; she craves an experience that transcends mere release. "I could touch myself and cum instantly, Thinking about the pleasure you give me, But it wouldn’t satisfy me." She needs something more profound—something only her partner can give her. This need speaks to the inherent human desire to be fully understood and met in our most vulnerable states. The Dance of Power and the Ritual of Restraint " Rope " is a story about the intricate dance of power that unfolds between the narrator and her partner. The narrator gives herself over to her partner's control, craving both the physical restraint of the rope and the psychological restraint of her partner's commands. When her partner finally arrives, she is greeted with calmness, a stark contrast to her own heightened anticipation. "I am always bewildered by your way. So relaxed. So warm." This moment captures the duality of their dynamic—her partner’s ability to switch between roles, from the mundane routines of everyday life to the intense focus of the erotic encounter. This duality is essential; it reflects the complexity of human relationships, where individuals are constantly navigating between different roles and identities. As the partner begins to bind her with the rope, the narrator's internal monologue reveals the depth of her submission: "Being bound by this rope, Held in place by it, releases me. When you take me this way, I find my inner voice. It’s primal. It’s loud." Here, the act of being bound becomes paradoxically freeing. In psychoanalytic terms, this release can be seen as a form of catharsis—a purging of pent-up emotions and desires. The rope not only binds her body but also her mind, allowing her to let go of the societal expectations and norms that govern her public existence. "All norms of behavior are removed. The public life of decency and respect, And the expectations of others, That monitor my existence, Fade away." The act of restraint becomes a path to a deeper form of liberation, one that allows her to explore the primal aspects of her identity. Pain and Pleasure: The Threshold of Ecstasy The story does not shy away from the interplay between pain and pleasure, a central theme in the exploration of erotic desire. "You put pressure on the chain, Just light enough, To send a throbbing mix of pain and pleasure, From my nipples, To my clenching pussy." The narrator's body becomes a canvas upon which sensations of pain and pleasure are painted in bold strokes. The pain is not gratuitous; it is purposeful, serving to heighten her awareness of her body and deepen her sense of submission. The desire for pain is not about suffering; it is about transcendence. "The longer you draw this out, This pain and pleasure, The deeper I fall into myself." The narrator's experience of pain serves as a gateway to a higher state of consciousness, where the boundaries between body and mind blur, and she is transported into a realm of pure sensation. From a psychological perspective, this dynamic can be understood as a form of boundary play. By experiencing pain in a controlled environment, the narrator explores the edges of her physical and emotional limits. This exploration of boundaries is not only erotic but also profoundly empowering. It allows her to redefine her relationship with her body and her desires, to take ownership of sensations that might otherwise be seen as taboo. Aftercare and the Return to Reality As the encounter progresses, the intensity builds to a crescendo of orgasms, followed by a period of aftercare and reconnection. "Your arms envelop me. I am led to the edge of the bed… Your hands on my hips." The narrator’s surrender is met with her partner’s care, as they guide her back from the brink of ecstasy. This is the space where erotic and emotional intimacy intersect. Aftercare is essential in any exploration of intense desire. It is a way for the couple to reaffirm their connection and process the emotions that have surfaced during their encounter. "Your hands grasp my arms at the shoulders, And pull downwards, To my wrists, Bringing a warm and inviting bliss, Through my arms." The touch of the partner becomes a lifeline, grounding her back into reality, reestablishing the balance after a period of intense exploration. Aftercare is also about validation. The partner’s actions convey that her desires are not only acceptable but cherished. This mutual validation strengthens their bond and ensures that their exploration is always rooted in trust and respect. The Role of Anticipation and Memory " Rope " closes with a reflection on memory and anticipation. "I will carry this glow for days… The red, thick, soft rope, Will sit in the bottom drawer, Waiting patiently, Until I cannot." The rope remains a constant symbol of her desires, lying in wait for the next encounter. It is a reminder of what has transpired and a promise of what is to come. Anticipation plays a critical role in the psychology of desire. It is the fuel that keeps the fire burning between encounters. The narrator's longing for the rope, her fixation on it even when it is out of sight, demonstrates how desire is sustained not only through action but also through thought and memory. The rope becomes a talisman of their shared intimacy, a physical reminder of the emotional and erotic journey they embark on together. Conclusion: The Paradox of Freedom in Restraint In " Rope ," I sought to explore the paradox of finding freedom within restraint, the ways in which surrender can lead to a deeper understanding of the self. The story is not just about the physical act of being tied up; it is about the psychological liberation that comes from embracing one's desires fully and without shame. Through the interplay of power, pain, pleasure, and surrender, the characters navigate the complexities of their relationship, building trust and intimacy with each encounter. "Rope" is a testament to the power of consensual exploration, a celebration of the ways in which we can find ourselves in the act of giving ourselves over to another. It is a reminder that the bonds we form with those we trust are not chains but lifelines, connecting us to our truest selves. ©️ 2024 Dante Remy Learn more about the pillow book " Erosetti VI Rope ," including a look inside the book, at the Erosetti Press website .

Dante Remy | Bunnies Are For Breeding explores the psychological dimensions of erotic role playing, as the narrator finds herself within the interplay of power, identity, and desire. I wrote this story in a direct poetic stanza style to provide just enough details so that the reader might bring their own experiences into narrative and see themselves as one of the players in the dynamic. Published in print and ebook form by Erosetti Press , I hope the story offers readers an accessible means to consider how such a dynamic might affect their own relationships, and why. Longings and Fantasies Rooted in Pleasing Memories In the story, the narrator's fascination with rabbits is more than a simple hobby; it is a poignant link to the comforting and pleasing memories of her past. Her collection of rabbit figurines and collectibles symbolizes a yearning for the innocence and comfort of earlier times. As she recalls, "Having these soft, furry animals around me made me" gave her produced feelings of contentment and safety. However, wants and needs transform as we grow and mature. Her longings, deeply embedded in her psyche, re-emerges in her adult life, transforming into a potent source of erotic stimulation. This phenomenon can be understood through the lens of Freudian psychology, which posits that unresolved desires and attachments often resurface in adult behavior, particularly within the realm of sexuality. According to Freud, "the sexual life of adult women is a dark continent for psychology," emphasizing how deeply embedded desires can shape adult sexuality (Freud, 1926). Power Dynamics of Role Play As I related the narrator's sudden realization, when her partner playfully calls her "Bunny," I aimed to capture how this pet name serves as a catalyst, unlocking a hidden aspect of her sexual identity. "The first time you used it, ‘Bunny,’ I asked you to fuck me harder that night. My body had been burning all day, the name echoing in my head." The dynamic of dominance and submission that evolves between them highlights the psychological intricacies of power exchange in intimate relationships. Role play, as depicted in this story, becomes a medium through which the narrator and her partner navigate and redefine their roles. The psychological appeal of such power dynamics can be understood through the concept of "erotic humiliation" and "consensual non-consent," where the thrill and arousal stem from the controlled surrender of power and the trust placed in the dominant partner. This dynamic allows for a profound exploration of control, vulnerability, and trust, deepening their emotional and physical connection, returning the narrator to heightened feelings of contentment and trust. Identity and Erotic Transformation The narrator’s embrace of her role as the "Good Bunny," reflected her acting on the profound transformation she experienced. "Be my Good Bunny. Help me with the rest of these useless clothes," her partner whispers, initiating her deeper into this role. The act of being "bred" and dominated by her partner allows her to tap into a primal aspect of her identity. This exploration of self through erotic role play can be viewed through Jung's concept of the "shadow self." According to Jung, the shadow encompasses the parts of ourselves that we repress or deny. By embracing her role as the submissive "Bunny," the narrator integrates her shadow self, experiencing a fuller, more authentic version of herself. Jung noted, "To confront a person with his shadow is to show him his own light" (Jung, 1954). This journey of self-discovery and acceptance highlights the therapeutic potential of role play in exploring and integrating different facets of one's identity. Psychological Depths of Desire Bunnies Are For Breeding  is more than an erotic tale; it is an exploration of the psychological depths of desire, power, and identity. Through the lens of psychology, the narrative reveals how longings rooted in pleasing memories can shape adult fantasies, how power dynamics in role play can enhance intimacy, and how embracing one's shadow self can lead to profound personal transformation. In crafting this story, I aimed to offer readers a rich and compelling journey into the complexities of human desire. As the final line of the story underscores the depth of this transformation: “I felt the familiar need in me begin to grow... My hand wandered down... Your cock grew hard... Bunnies are for breeding.” Look inside the book by Dante Remy and Illustrated by Reina Canalla . Read the story as a print book or ebook . Learn at erosettipress.com . ©️ 2024 Dante Remy

Dante Remy | In the heart of Old Town Bratislava, amidst the echoes of the fall of Communism, urban explorers unearthed a treasure trove of forgotten manuscripts. Within the crumbling walls of an abandoned building, they discovered a hidden basement, revealing a grave covered in layers of dust and decay. This grave held a letter that transcends time—a poetic tribute titled "A Letter to My Victims." Through the "Bloodlust" project, I am bringing these writings to the public for the first time. Were these the writings of a depraved human or something less human? I leave this to the reader to decide. The first publication from this trove, "Bloodlust, A Letter to My Victims" , invites you into a world where ecstasy and agony intertwine, where the line between life and death blurs in a seductive dance of desire. This tale, written by the hand of a centuries-old vampire, delves deep into the darkest corners of human longing and the irresistible allure of the forbidden. The vampire is not merely a predator but a connoisseur, savoring each victim's blood, enriched by their most intimate moments of release. The Vampire, From Gothic Roots to Modern Sensuality The vampire mythos has captivated readers for centuries, with its origins deeply rooted in European folklore and Gothic literature. Classic works like Le Fanu's "Carmilla" (1872), a breakthrough in lesbian-themed erotica, and the classic Bram Stoker's "Dracula" (1897) have defined the archetype of the vampire as a figure of both terror and fascination, transcending identity. These early tales established the vampire as a creature of the night, driven by an insatiable thirst for blood and an aura of dark seduction that found victims in all strata of society. As I work to bring the newfound writings of "Bloodlust" to light, I build on this rich tradition, infusing it with a contemporary sensibility that enhances its timeless appeal. The manuscript's discovery during the fall of communism in Central Europe adds an intriguing historical backdrop, enhancing the story's depth and resonance. One must wonder what other revelations will come from these discovered manuscripts. In "Bloodlust," the vampire is not merely an antihero of myth and legend but a sophisticated connoisseur of human desire. This nuanced portrayal extends the vampire tradition, emphasizing the erotic and psychological dimensions of vampirism. The protagonist's meticulous savoring of each victim's blood, enriched by their most intimate moments, offers a fresh perspective on the vampire's insatiable hunger. A Sensual Journey Through Blood and Desire Transcribing and piecing together this manuscript unveils a vampire story about the primal nature of lust and the intoxicating power of blood. Each page invites us to experience pleasure in its rawest form, as the vampire edges closer to the ultimate taste—blood flushed with the chemicals of climax. The narrative captures the essence of human desire, weaving a tapestry of eroticism that is both compelling and haunting. The illustrations accompanying the manuscript add an evocative layer to the sensual world of the narrative. Apollonia Saintclair's artistry brings the story to life, drawing readers into the vampire's seductive dance. Her illustrations reflect an old-world sense of realism and seduction, rich in the tradition of classic vampire literature, yet provocative in portrayal of the erotic and macabre. Maps, notes, and sketches found alongside the manuscript enhance the storytelling, providing a glimpse into the life of the author. This complex journey of blood and desire, historic, artistic, and documentary. are a fresh take on the vampire mythos. The Story Continues The discovery of "Bloodlust" has opened the door to more stories from the trove of papers found in Old Town Bratislava. One manuscript of particular interest describes Carmilla, a young nun from the Convent of Poor Clares. These notes detail unholy trysts and scandalous rituals, hinting at a broader narrative that continues to unfold. The publication of these collected stories as a novel continues, promising to expand the world of "Bloodlust" and its enigmatic characters. As you delve into "Bloodlust, A Letter to My Victims," I Invite you to ponder the nature of the vampire's desire and the psychological intricacies that drive her actions. Was the author a mythical vampire, or was she a predator feasting on human desire? What drove her to document her experiences in such a poetic and sensual manner? These questions add depth to the narrative, encouraging you to consider the complex motivations behind the vampire's actions. Final Thoughts: Embracing Dark Fantasies For those who dare to embrace their darkest fantasies, this revealed manuscript offers an intoxicating journey through the senses. It is a tale for those willing to succumb to the seduction of writings that explore the depths of human longing and the raw power of eroticism. As you delve into this story, envision the lives that breathed within these pages and allow yourself to be captivated by the story that has emerged from the shadows of history. The "Bloodlust" project has much to reveal. I hope this first taste transcends the boundaries of traditional vampire literature, offering a fresh and provocative perspective on the legend. The protagonist's meticulous approach to savoring blood, combined with the poetic and sensual narrative, create a story that is both timeless and deeply engaging. This is a journey for those who dare to explore the depths of their desires and uncover the timeless power of blood and lust. About the Author & Artist Dante Remy is an internationally-based writer, editor, and creator. His work explores the aesthetic in the everyday and the search for humanity through word, visualization, and soundscape. Themes in his work include the duality of nature and science, love and loss, beauty and the macabre, the chaste and the erotic. Explore more at danteremy.com . Apollonia Saintclair is a Geneva-based artist known for her evocative illustrations that blend Pop culture and academic canons. Her influences range from Leonardo da Vinci to Moebius and Milo Manara. Learn more about her art at apolloniasaintclair.com . *** Embrace the allure of "Bloodlust, A Letter to My Victims" and immerse yourself in a story that transcends time, blending historical intrigue with erotic fantasy. Published by Erosetti Press , this is a journey for those who dare to explore the depths of their desires and uncover the timeless power of blood and lust. ©️ 2024 Dante Remy

Dante Remy | Ava Lee's "Kinky Kaffeehaus" is not just a story; it's an expedition into the depths of human desires and power dynamics, wrapped within the elegance of Vienna's picturesque landscape. Through her vivid storytelling, Lee invites us into a world that defies the ordinary, urging us to explore the boundaries of our own identities and the constructs that define societal norms. The story is one of several written and illustrated by international writers and artists appearing in The Anthology of Erotic Narrative, Volume I , published by Erosetti Press . Not Your Ordinary Coffee House The narrative begins with a striking depiction of preparation and anticipation, as the dominatrix protagonist adorns herself and her submissive partner in attire that symbolizes their roles: "My boots, with the 17-centimeter heels, are actually too uncomfortable for walking, but today I want to look stunning: skintight pants, a shiny latex corset..." This meticulous description serves not only to set the stage but also to delve into the layers that we, as individuals, don in our daily lives, concealing our true selves beneath societal expectations and norms. Upon their arrival at the Kinky Kaffeehaus , the story unfolds within a setting that marries the traditional Viennese coffee culture with an underlying current of BDSM, challenging the readers to reconsider their notions of public and private spaces. The coffee house emerges as a sanctuary for those who dare to live out their fantasies away from the prying eyes of the conventional world, yet within the communal setting of a coffee house: "In this coffee house, you can do things that you otherwise can't do in public." Power and Liberation The narrative showcases the BDSM dynamic not as a mere expression of sexual desire but as a representation of the power imbalances that infiltrate every aspect of our lives. The visibility of the submissive partner, willingly exposed and vulnerable under the gaze of the coffee house patrons, reflects liberation and the embrace of one's true identity. Lee illustrates that within the confines of the roles we play and the boundaries we navigate, lies the true essence of freedom. The submissive's journey through vulnerability, marked by a deliberate display of his submission, highlights the paradoxical strength found in surrender: "As this is the first time we play this game, I thoroughly lay out the rules to you: Firstly, as long as we are in the coffee house, you will not speak." Moreover, Lee's narrative engages the senses in a celebration of unconventional beauty, inviting readers to appreciate the aesthetics of the dominatrix's attire, the luxurious interior of the coffee house, and the intricate dynamics of the BDSM relationship. This sensory exploration encourages a broader appreciation of beauty beyond conventional standards. The Sensual Appeal of Humiliation and Public Display In this narrative, humiliation and arousal are closely connected, creating an enticing dynamic. The feelings of shame and excitement experienced by the submissive partner offer a vivid illustration of how societal norms influence personal desires. This concept resonates with Freud's theories in Vienna, suggesting that suppressed desires and societal taboos often manifest in our behaviors and fetishes. The submissive's arousal from humiliation serves as a liberating outlet for repressed desires, turning shame into pleasure. The narrative also explores the realm of public BDSM activities. While the characters are consenting adults, their actions in a public setting raise concerns about the comfort or, perhaps, enjoyment of onlookers. The choice to partake in public displays reflects a delicate balance between individual freedom and consideration for others. The Kinky Kaffeehaus , with its policy for adults only, aims to establish a secure environment for such practices, ensuring a harmonious blend of personal expression and communal respect. Final Thoughts Through her characters and their exploration of desires within the unique setting of a Viennese coffee house, Lee offers a compelling examination of power dynamics, identity, and the liberation found in embracing one's true self. Her story is a testament to the complexity of human sexuality and its capacity to challenge and redefine our understanding of normalcy and acceptance. Read the story and explore the world of fetish in The Anthology of Erotic Narrative, Volume I Fetish available at Erosetti Press and all major online bookstores. ©️ 2024 Dante Remy

Dante Remy | In the often blurred boundaries between art and pornography, Jo Koss's career serves as a testament to the complexities and nuances that define this eternal question: Is it art, or is it porn? His latest work, enshrined in " The Jo Koss Anthology of Erotica ," is a comprehensive exploration of his artistic journey, capturing the essence of his contributions to the world of contemporary erotica. Part history, part art book, its pages evoke and challenge notions of eroticism, turning reader into voyeur, offering a host of ways to answer the eternal question. In short: This book belongs on your shelf, on your coffee table, or in your personal library. It's not simply a conversation piece on eroticism. It is THE conversation. The Deluxe Edition of "The Jo Koss Anthology of Erotica" features over 750 illustrations and artworks across 574 pages and is available from Erosetti Press . It stands as a definitive resource on art, pornography, and erotica within the arc of one artistic. It Is comprehensive in a way that breaks new ground: From early erotic comics to pioneering Scandinavian adult film productions, it beautifully traces Koss's artistic evolution and the fine line between art and pornography. This anthology addresses the challenges and victories encountered along the way, including customs seizures, social media censorship, and the resilience required to navigate shifting societal norms. In the Beginning, There Was Porn Jo Koss began his career in the '90s, writing narratives for adult comics with Italian publishers Internazionale Ediperiodici and Edifumetto. This era saw the height of pocket-sized adult comics, with a saturated market leading to the decline of most of these series. Koss's work transcended commercial constraints as he ventured overseas to collaborate with diverse artists, eventually settling in Scandinavia. His unique flair caught the attention of an American publisher at the San Diego Comic-Con, leading to an intriguing proposal: illustrating autobiographical tales of real-life adult film stars. Although this collaboration was tragically cut short, it marked a significant chapter in his career. The Scandinavian Experiment: On-Demand Porn Films Between 1990 and 1998, Koss's career took an unconventional path, straddling publishing and adult entertainment in Copenhagen and Stockholm. He launched his own adult production company, producing content in found locations, like sex shop backrooms and bohemian art galleries. Despite initial setbacks, his productions gained traction, although the advent of the internet and the industry's darker side prompted him to reevaluate his involvement. This period saw a shift from narrative-driven content to focusing solely on sex scenes, a move that revolutionized efficiency in production. The First CD-ROM Porn Game Koss's innovative spirit extended to the early days of digital multimedia with the creation of interactive comic books on CD-ROMs. His projects incorporated sound, music, and voiceovers, blending traditional narratives with new media's interactivity. Despite financial setbacks and a fraudulent publisher, these CD-ROMs were pioneering in the adult game industry, receiving awards and recognition for their groundbreaking approach. Censorship and Vice Throughout his career, Koss navigated the precarious balance between artistic freedom and societal norms. His ambitious project "Bizarries," which paired provocative illustrations with literary classics and religious texts, faced severe censorship, exemplifying the challenges of pushing artistic boundaries. Adopting the pseudonym Jo Koss allowed him to pursue his passion for adult content while navigating these controversies. The Rise of Tumblr Discovering Tumblr was transformative for Koss, connecting him with a global audience and facilitating an unprecedented level of interaction. His work resonated with a diverse audience, leading to exhibitions and the sale of his full-color book "Art Core." However, Tumblr's censorship overhaul prompted a migration to Twitter, where Koss continues to share his work and reconnect with collaborators. Commissions and Muses Koss's art often found its most enthusiastic audience among women, with many requests for erotic portraits coming from platforms like Tumblr and DeviantArt. His interactions with muses have been collaborative, leading to a dynamic creative process. Despite challenges with censorship and platform restrictions and banning erotic art that continue today, Koss's work continues to thrive, bridging the gap between personal fantasy and public art. Art and Rediscovery Currently, Koss is exploring erotic illustration and painting on canvas, aiming to showcase his work in galleries across Europe. His ongoing projects include storybooks, comics, and themed art books, often in collaboration with models. The pandemic paused his participation in fairs and festivals, but he eagerly anticipates returning to these vibrant events. What is the Answer to the Eternal Question: Art, Porn, Erotica? Jo Koss's journey through the realms of adult comics, digital media, film production, and erotic illustration reveals a profound dedication to exploring the boundaries of human sexuality and artistic expression. His work challenges societal norms, pushing the limits of what is considered acceptable and forcing us to reconsider our definitions of art and pornography. Through Koss' lens, erotica becomes a powerful medium for storytelling, a celebration of human desire, and an assertion of artistic freedom. The answer to this eternal question may remain elusive, but in Koss's hands, the exploration of erotica transcends mere categorization, becoming a timeless dialogue that continues to provoke, inspire, and redefine the landscape of contemporary art. Explore the depth of Jo Koss's work and join the conversation on whether erotica is art or porn with this compelling anthology. Dive into his provocative, boundary-pushing creations that continue to resonate today. This collection is essential for collectors, curators, and admirers of erotica, offering a must-read visual experience for those who value uncompromising erotic art. " The Jo Koss Anthology of Erotica " is available now in the hard cover Deluxe Edition  and paperback Volumes I and II at ErosettiPress.com and all major online book vendors globally, promising to captivate and challenge audiences while celebrating Koss's lasting impact on the world of erotic art. ©️ 2024 Dante Remy