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Beyond the Sapphic Veil: Exploring the Sacred Eroticism of The Mysteries

  • Writer: Dante Remy
    Dante Remy
  • Jan 8
  • 6 min read

Dante Remy |


The Mysteries, a novel by Dante Remy and illustrated by Apollonia Saintclair
The Mysteries, illustrations by Apollonia Saintclair

Erotic fiction holds a unique power to take readers down new roads of self discovery. At its best, it does not merely titillate—it confronts, provokes, and transforms. Writing The Mysteries: Pain & Pleasure within the Convent Walls was such a journey into sapphic eroticism. It was my attempt to blend such elements, to create something that transcends boundaries while remaining rooted in profound human truths. Partnering with the enigmatic illustrations of Apollonia Saintclair, I sought to craft a work that invites readers to explore the uncharted intersections of faith, desire, pain, and transcendence.


When I first came across the lost writings of Elisabeth Coote, I felt an immediate pull. These papers had not seen the light of day for over a century, a discovery I have written more extensively about in the book's introduction. Here was a sapphic voice from the late 19th century, buried beneath layers of scandal and repression, whispering truths that demanded to be heard. Elisabeth’s story—and that of Sister Lucille within the Convento di Santa Voluttà—was not just erotica; it was an invocation, a prayer to the body and the spirit to reconcile their eternal dance.


The Profound Rediscovery of The Writings

My journey began in a dusty archive in Monteconvento, Sicily, where I uncovered manuscripts penned by Elisabeth Coote—an Englishwoman exiled from her homeland in the 1880s. Her writings detailed her time among the secluded nuns of Santa Voluttà, a convent that existed on the razor’s edge between spiritual devotion and carnal exploration.


As I read her words, I was struck by their audacity. Coote’s narrative was raw and unapologetic, sharing in details the bonds of female eroticism, her descriptions of rituals both explicit and sacred. She wrote:


The Mysteries, a novel by Dante Remy and illustrated by Apollonia Saintclair
The Mysteries, illustrations by Apollonia Saintclair
In the union of flesh and faith, I have found the divine. Each strike upon my skin was a prayer, each cry from my lips a hymn. The body is not a barrier to the sacred; it is the bridge.

These words resonated with me, as they speak to the core of what erotic fiction can achieve—an unflinching acknowledgment of our humanity and our yearning for transcendence. I knew I was holding the pages of much more than erotic musings. Elisabeth writes in unflinching detail, often depicting shocking rituals that challenge conventions even today. I immediately committed myself to transcribing, organizing, and weaving together the story of the young novitiate nun Lucille and the glory of her sexual and spiritual awakening.


The Mysteries of Submission and Surrender

The Mysteries, a novel by Dante Remy and illustrated by Apollonia Saintclair
The Mysteries, illustrations by Apollonia Saintclair

At the heart of this work lies the “Mysteries,” a series of sacred rites that Sister Lucille must endure to unlock her spiritual and sensual potential. These ten rituals—Submission, Obedience, Ritual, Discipline, Sacrifice, Atonement, Purity, Temptation, Redemption, and Transcendence—are not just acts of the body but transformations of the soul.


In the chapter on Submission, Lucille reflects:


I knelt before Mother Superior, trembling not with fear but with anticipation. Her voice, sharp yet tender, cut through my doubts. ‘To give yourself completely, Lucille, is to find your strength in the hands of another. It is only by yielding that you will learn what it means to truly belong.'

These words frame the central paradox of the story: that surrender is not weakness but a form of empowerment. Lucille’s journey through submission reveals the strength it takes to trust, to let go, and to embrace the unknown.


Eroticism as Sacred Exploration

The Mysteries, a novel by Dante Remy and illustrated by Apollonia Saintclair
The Mysteries, illustrations by Apollonia Saintclair

One of the most provocative aspects of The Mysteries is its portrayal of eroticism not as base indulgence but as a sacred practice. The nuns of Santa Voluttà engage in rituals that blend physical pleasure with spiritual devotion, challenging societal taboos and inviting readers to reconsider the boundaries of faith and flesh.


During the Festival of Redemption, Lucille becomes the embodiment of the Virgin in a ceremony that is both shocking and profound. She describes:


Bound and exposed, I felt the jeweled phallus press into me, its cold surface a jarring contrast to the heat rising within me. The chants of the nuns swelled around us, their voices lifting me higher, until the moment of release became a prayer unto itself. In that instant, I was not myself; I was the vessel through which divinity and desire converged.

Scenes like this are designed not merely to provoke but to illuminate. They remind us that the erotic is not antithetical to the sacred—it is an integral part of it.


Reimagining Pain and Pleasure

Throughout the narrative, the interplay of pain and pleasure is a recurring theme. The convent’s rites use pain as a tool for purification and enlightenment. In one particularly vivid passage, Lucille reflects on her initiation:


The whip sang through the air, a lover’s cruel serenade. Each strike stripped me bare, not just of my habit but of my doubts, my fears. Pain became a doorway, and through it, I stepped into a realm where my body and soul were one, where suffering became transcendence.

The psychosexual elements of the story are deliberate, drawing on historical practices of mortification and the psychological theories of masochism as a path to transformation.


The Mysteries, a novel by Dante Remy and illustrated by Apollonia Saintclair
The Mysteries, illustrations by Apollonia Saintclair

Why set such a narrative within the walls of a convent? Because the convent’s isolation allows for a reimagining of societal structures. Here, women reclaim their agency, redefine their relationships, and explore their desires without the constraints of patriarchal expectations. The sisterhood within Santa Voluttà is as much about solidarity as it is about submission.


Lucille’s reflections capture this beautifully:



In their touch, I found not just pleasure but belonging. These women, who wielded the whip and whispered words of comfort, were my guides, my companions, my sisters. Together, we forged a bond that no man could break, a bond sanctified by the rituals of our shared surrender.

A Literary and Artistic Achievement

Collaborating with Apollonia Saintclair was one of the most rewarding aspects of creating this book. Her stark, evocative illustrations capture the duality of austerity and indulgence that defines the convent’s world. Each image feels like an extension of the narrative, a visual hymn to the themes of the story.


One particularly striking illustration accompanies the chapter on Atonement. It depicts a young nun, her body arched in both pain and ecstasy, framed by candlelight and shadows. The image is haunting, reminding readers that transcendence often comes at a cost.


The Importance of These Writings: The Mysteries

Erotic fiction has long been relegated to the fringes, dismissed as mere escapism. Indeed, these writings were kept hidden for a century, deemed too scandalous for the eyes of the world. But The Mysteries seeks to challenge that notion. This is not just a story of desire; it is a story of discovery, of breaking free from societal constraints, and of embracing the full spectrum of human experience.


The Mysteries, a novel by Dante Remy and illustrated by Apollonia Saintclair
The Mysteries, illustrations by Apollonia Saintclair

In writing this book, I hoped to reflect the sapphic essence of these found writings and to spark a conversation about the sacredness of the erotic. As Lucille’s journey demonstrates, desire is not something to be feared or suppressed—it is something to be explored, celebrated, and sanctified. Sister Lucille herself declares:





In the arms of my sisters, I found the courage to face myself. In their rituals, I found the strength to surrender. And in my surrender, I found the divine.

The Mysteries is more than a novel; it is an invitation—to step beyond the veil of convention, to confront the complexities of faith and flesh, and to embrace the transformative power of desire. It challenges us to see the erotic not as separate from the sacred but as an essential part of it.


For those willing to take the journey, this book offers not just a story but an awakening. It is a testament to the courage it takes to face our deepest desires and the truths that lie within them.


©️ 2025 Dante Remy


Are you ready to explore the sapphic, the sacred and the profane, the pain and the pleasure, the body and the soul? The Mysteries: Pain & Pleasure within the Convent Walls is available now through Black Fern, an imprint of Erosetti Press to learn more and to order your copy; or, find in it on Amazon in hardcover and paperback. Learn more about the author and artists, Dante Remy and Apollonia Saintclair on their creator websites.


The Mysteries, a novel by Dante Remy and illustrated by Apollonia Saintclair
The Mysteries by Dante Remy, illustrations by Apollonia Saintclair

 
 
 

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Dante Remy | Writer | Traveler | Creator

Dante Remy Author

My creative work explores the aesthetic in the everyday and the search for humanity through word, visualization, and soundscape. Running themes explore: the duality of nature and science, love and loss, beauty and the macabre, the chaste and the erotic. My artistic expressions help me to process my life experiences, often in inhospitable circumstances, and connect with others. Connect with me on social media, messsaging, and email.

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© 2024 by Dante Remy. All Rights Reserved. No portion these written and visual works may be reproduced or adapted to create monetized or derivative works without expressed written permission and citation as required by the owner.

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